A few thoughts on the Leonardo Furore Arancio fountain pen.

This is not a new acquisition but a pen that I bought, gleefully, at the London Pen Show in March 2019. The Furore was then a fairly new model, which followed Leonardo’s Momento Zero and was very similar except for having bullet shaped ends.

With a range of vibrant colours, said to celebrate the natural colours of the Amalfi coast, it is hard not to be drawn to a display of these stunning Italian pens at a pen show. Shiny, smooth, tactile and colourful, with a lovely chatoyance as you turn the pen in your hand, I found the pen irresistible. Each pen is numbered on the barrel. Having chosen this refreshingly bright orange pen, it was an added bonus to learn that mine bore the serial No. 001 for this colour. I opted for a fine nib. There are both gold coloured or silver coloured nibs and fittings available.

The Leonardo Officina Italiana Furore Arancio. Seen here between a Momento Zero (front) and a Campo Marzio Ambassador.

Description.

This is quite a large pen but not overly heavy. The cap features a sturdy metal clip with a rolling wheel at the end and two gold coloured cap bands. The cap unscrews in one full turn. The section shape will be familiar from the Momento Zero, having the same generous girth at the barrel but then tapering to a narrower girth lower down. This looks a little odd at first but makes for a comfortable grip with a natural dip where I rest the pen on my second finger.

The Furore uncapped.

The barrel unscrews on resin threads. It is a cartridge converter pen, taking standard international cartridges but comes with a handsome, screw in, branded converter. Like the Momento Zero, there is also the option to access the converter by unscrewing the end of the barrel only, so keeping your fingers away from the ink bottle. The downside is that you do not get the same instant visual confirmation that you have filled your pen.

The Leonardo screw-fit converter.

Nib and writing performance.

The steel fine nib works well, with a deliciously pencil-like feedback. The nib and feed are friction fit but very tight and I have not attempted to remove them since the fine nib was fitted for me when I bought the pen.

The Leonardo steel nib, in a Fine.

Size and weight.

The pen measures 145mm closed, 130mm open and 165mm if posted. The cap does post, quite deeply and securely and without upsetting balance, to make for a very comfortable unit if you do not mind the length.

Despite its large size, the pen weighs only 25g in all, of which 18g is the pen uncapped and 7g for the cap alone.

Likes and dislikes.

As pens go, this is a gorgeous specimen. Imagine seeing this in a tray of black pens: it would be hard not to pick it up. It has a host of nice attributes, such as the vibrant colour, attractive shape, chatoyance, comfortable grip and the smart, screw-fit converter, as well as being an enjoyable writer. On the down side, the translucence of the material does mean some discolouration at the section once the pen is inked. Also, personally, I am not so keen on the rolling wheel pocket clip feature, largely because I have seen other clips where the wheel has been lost, leaving an unsightly fork. But the wheel does help in sliding the clip over a pocket, if you want to carry the pen that way although I prefer to use a pen case.

Final thoughts.

Having reflected on my positive views on this pen, I am embarrassed to say that I have not made more use of the pen, in what is almost two years since I bought it. But in the pen’s defence I admit that this is not through any fault of the pen but rather its misfortune in landing in a household whose owner was already awash in good pens, competing for attention. And it is for this reason that I must get a grip on my appetite for shiny new pens and bring this one back into my rotation.

Did I mention that mine is No.001?