It has been a habit of mine since I was 18, to keep a diary. For the last few years my preferred format has been an A5 book, with a page a day. A daily ritual is to write this, using a fountain pen, typically straight after breakfast, recounting the events of the previous day. This little ten minute appointment for myself, is really valuable.
However it is not always easy to find a suitable diary. Last year I used one from Rymans but was disappointed to discover that the line spacing had been reduced to 6.5mm in 2018, from 7.91mm in 2017. Also, with the new diaries sometimes sealed in clingfilm, you do not have an opportunity to see what the line spacing will be before buying. For 2019, with Rymans’ diaries still being sold in clingfilm, I looked eslewhere. In WHSmith, there were A5 page a day diaries but the line spacing looked far too narrow for my liking.
And then in Paperchase, I found a few 2019 diaries left on the shelf, in A5 page a day format. The cover with its pattern of blue and yellow flowers and rainbows of blue, yellow and light green was not my ideal, but was undeniably cheery. The price was £14.00 but turned out to be reduced in a sale, to £9.75. I was set up for the year.
Happily, the line spacing is a wonderfully generous 8.4mm per row (10 rows = 84mm) which suits me fine. This give 21 rows per page. The book feels nice in the hand, with a sort of linen cover. I am not sure whether it really is linen, but it feels pleasantly textured and grippy. The covers are flexible but protective. It is well bound, with stitched binding, dark blue endpapers and one blue ribbon page marker.
It turns out that it is not quite a day to a page. On Saturdays and Sundays you get only half a page. Thus, for two out of every seven days the description ‘Day to a Page’ is untrue and misleading. It is almost as if Paperchase is saying ‘What you do in your leisure time is of no consequence.’ However, I forgive them on this occasion as the book is so nicely made plus it was generously discounted in the sale.
The real joy is the paper: 100gsm off-white paper that my fountain pens love. It is smooth, but if examined under a loupe, there is some texture there which gives purchase to well polished nibs and provides a lovely feedback. I have been using the diary with a Parker Reflex (pictured), medium nib and Conway Stewart Tavy blue black ink. This inexpensive pen is a light weight and effortless writer. The writing experience of this combination of pen, ink and paper is such a joy, that it is a great way to start the day.
Those who enjoy writing with fountain pens like to find ideal combinations of pen, ink and paper where the nib glides effortlessly over the page, leaving a beautiful line of fresh ink without feathering or bleed-through.
I am a relative newcomer to the Leuchtturm range, although the company was founded in 1917. I started using their A5 size notebooks about a month ago when my Taroko Design “Breeze” (Tomoe River) notebook was full. The Leuchtturm notebooks are readily available in our local Rymans stationers and although the paper is not Tomoe River, I find it very pleasant.
Available in a wide range of bright coloured hard covers, there are also options for plain, ruled or dot grid pages. In each case, you get around 250 numbered pages. Depending upon which you chose, you get a number of good features (listed on the distinctive wrap-around flyer inside the cellophane), such as:
a table of contents;
some perforated sheets (8 in the plain or ruled page version, or 12 in the dot grid version);
an expandable pocket in the back cover;
two ribbon page markers;
an elastic loop, for those who want closure;
stickers for labelling;
thread bound, to open flat and for durability;
ink proof paper (that is, fountain pen friendly);
80 g/m2 acid-free paper.
I began with the plain paper version. This included a guide sheet to place behind the page you are using, with 18 rows at a width of 10mm, or, on the reverse, a grid of 5mm x 5mm squares.
I have been using the 10mm space guide. This is quite wide and if your handwriting is not large, the spacing may look too wide in relation to your writing size . Of course, you can experiment and make you own guide sheet, ruling your lines at whatever width you choose. For me, an 8mm width is about right and is what I am most used to for general writing and note taking, when using pads of file paper. But I have now made up a few guide sheets of approximately 8, 9 and 10mm for use with different nib widths. You could do this with your perforated pages.
With so many book colour options and paper options, there is something for everyone. I bought a ruled page version, but found that its line spacing of just 6mm, was too narrow for me. And if I wrote on every other line, 12mm was rather too wide.
The dot grid paper, with dots at 5mm spacing, is a good option and can be used easily to write on alternate rows with a comfortable 10mm row height.
One of the readers of my blog told me that he buys these notebooks when the less popular colours are on sale and then uses them for letter writing, slicing out the pages when the letter is written. This had not occurred to me and sounded quite a good idea.
The extra features listed above are all very welcome, but it is the paper itself that is the real draw here. It is a creamy, off-white paper, with a pleasant silky matte finish, having a smooth surface, not glossy or coated such as to cause drag.
A fountain pen may struggle to work on a paper that is too glassy-smooth. But a rough, fibrous textured paper is not good either and may clog the nib. Then, there is the issue of absorbency. A paper that soaks up the ink like blotting paper is no good for fountain pens as the ink will “feather” and spread out. And you do not want the ink to bleed through to the other side, so that you can use only one side of the paper.
There are many factors to juggle, depending too on whether your pen and ink writes on the dry or wet side.
There is very little to dislike. If I were being picky, I could say that the page numbers could be a bit bigger. However, they are slightly clearer on the dot grid version than the plain.
A degree of “show through” or “ghosting” is inevitable unless the paper is very thick. With this notebook, whilst it is noticeable, I find it perfectly acceptable. There is a certain amount of compromise involved here as thicker papers, whilst reducing show-through, are heavier and make the notebook bigger.
As someone who currently has around fifteen fountain pens inked with a variety of nibs and ink types, I am finding the Leuchtturm notebooks very satisfying. The main problem that I have with them is that I keep wanting to buy another one whenever I pass the shops.
I am usually wary of buying a journal which is sealed in cellophane so that you cannot examine the paper before buying. This now seems to be the way many diaries and notebooks are sold in Rymans.
I enjoy writing a diary, for many reasons. I like to keep a record of the day, for my future reference. But the act of writing it is a chance to reflect on the day and to order your thoughts and put them into writing which is therapeutic. And then there is the sheer joy of writing, with a fountain pen.
For the past few years, I have used A5, page a day diaries from Rymans. This year, after browsing around their shelves, I decided to play it safe and go for the same version that I used last year.
So, you can imagine my surprise when I got it home and unwrapped it, to find that the line spacing had been reduced. In 2017, we had 23 rows per page, at 7.91mm. Now this year, there are 28 rows per page, at 6.5mm. That is a reduction of 1.41mm, or 17.82%.
I did not want to go to the trouble of exchanging it and also doubted whether they had anything better. So, I had to decide quickly whether I could live with it.
I tend to chose a fountain pen to use for my diary and then stick to it for the year. Last year, it was the Pelikan M800 with a medium nib, (which is on the broader side of medium). This year, in view of the reduction in row height, I plan to use my Kaweco Dia2, with an Extra Fine nib. Dropping a nib width or two, is a good solution for dealing with narrow line spacing. So, having a range of nibs to chose from can save the day. Or year.
On the plus side, the new diary gives five extra rows a day. For day one, I used them to vent my annoyance with Rymans. Also, I do like that this diary has a full page each for Saturday and Sunday. And at least the line spacing is not as bad as in 2016 when it was just 5.8mm. I should mention that my preferred line spacing, from experience, is 8.0mm although I do have some note books with a very generous 10.0mm.
Aside from the daily diary for home use, I also keep a bullet journal, on a simple, ruled notebook on which I have made up two page spreads for each month. I started this last year. As 2017 only used up 24 pages plus some extra pages for specific topics, there were plenty of pages left to continue in the same book in 2018.
Obviously, with my new year resolutions still fresh on the page, it is too early in the year to be thinking about buying another pen. (I do have a page in the bullet journal for the “wish list”). But if I had been thinking of doing so, then the Edison Collier is tempting me at the moment. I had put it on the list and noted the price as £129.00, with a steel nib. However, when I happened to look at the price again very recently, at The Writing Desk, I saw that the price had changed to £152.00. That is an increase of £23.00, which is 17.82%. Hmmm, coincidence. I suppose the lesson here is that nothing stays the same or the same price forever.
For now, I am resisting the Edison Collier. I am not convinced that it is sufficiently different from another pen that I have, the Campo Marzio Ambassador, to warrant the expense. The Ambassador is just slightly short for my liking but the cap can be posted, whereas the Collier’s cap can not. But I might ask whether anyone has got one at our next monthly gathering of the London Fountain Pen Club. Just to make sure.
Who doesn’t love a mechanical pencil? I already have several but could not resist this one when it was less than half price in our local Rymans.
Recently, I have been enjoying a revitalised enthusiasm for photography, prompted by the acquisition of a new Nikon Coolpix A900. New camera day! I was attracted by a host of exciting features, particularly the articulated screen, the ability to shoot macro from 1cm, a massive x35 optical zoom with Vibration Reduction, (Nikon’s anti-shake), 4K video, 20 million pixels, Wi-Fi connectivity and many more. It was some years since I last bought a new camera, if you do not include mobile phones and things have move on a lot in that time.
There are a few things that it doesn’t have, such as the ability to shoot in RAW, or a touch screen, which I decided that I could live without. Exposure compensation settings are readily to hand, as are white balance settings and colour adjustment. It is wonderful to be able to have white paper looking white, even if taken under artificial light in the depths of winter.
It is the ability to take macro shots with such ease, that I have found most exciting. Even hand-held shots seem acceptably sharp but with a small tripod, combined with a two second self-timer delay setting it is better still. Here is my new pencil again.
Here is the production date stamp on the elegant black and chrome guilloche Cross Century II fountain pen:
Obviously it is tempting to try the other extreme and see how the telephoto performs. I tried a quick shot of the moon, with a manual exposure and a few stops of under exposure. This was the result:
Finally, one of the subjects that I wanted to photograph better, was paper. Not ideal with a mobile phone. I wanted to be able to capture the texture that you see, particularly under high magnification and with a low wintry sun slanting in to add contrast to the ups and downs of the paper surface. I shall continue experimenting with this but am always impressed and appreciative of the professional looking close-up photography that I see on fellow bloggers’ sites. Working during the week, there is limited time to enjoy the daylight hours at this time of year but sometimes it all comes together with a bit of sunlight at the weekend. Here was one of my early efforts. I used to think that Paperchase soft flexi notebooks had very smooth paper but under high magnification, the surface looks more like a newly plastered wall. Most of my fountain pens love it.
Buying a new journal is a wonderful thing. There is the anticipation of unwrapping it and opening its crisp new pages, trying out the paper and putting it into service, with all the potential enjoyment that this offers.
While prowling the aisles at Paperchase recently, I picked up this Paperchase NOTO journal. Available in different colours and sizes, I first saw a smaller, black covered version, unwrapped for display. The nicest thing about it is the leather-look cover, which does look very much like leather with its mottled tones and grain. It feels like leather too, soft and pleasant to the touch.
I decided to get the larger one, in brown, which appeared to be A5 (although not exactly), with an elastic loop closure, a ribbon page marker and 224 ruled pages.
This was sealed in shrink-wrap and so the only other visible indication of its specifications was on a paper insert saying “specially handmade for Paperchase in Italy using recycled paper” and bearing a symbol of ruled lines and then the price sticker on the back: “LRG JOURNAL NOTO BROWN 120 PAGE”, made in Italy, and the price. On Paperchase’s own website, where you can order online, the description includes the statement, “Being made in Italy especially for Paperchase, it has natural quality and style”.
As a veteran of notebook purchases, I now have a three-point routine on getting my new notebook home. First, is to number the pages. I find this inexplicably soothing and satisfying. There were 224, not 120. Second, is to try various fountain pen and ink combinations, starting from the back pages. This gives you a good sense of the type of paper that you are dealing with and its limitations, as you check for bleed through, absorbancy (or woolliness and feathering) and show through. It also overcomes first page nerves.
The third thing, (which I have now learned from purchasing this notebook) is to check the line spacing properly, preferably before you buy. I am a wide line person. Given the choice when buying a pad of file paper, of wide or narrow line spacing, I pick the wide.
I had not before measured what line spacing I liked and at what point the narrowness veers towards irritation and annoyance. However a simple and accurate check can be made by counting the rows in your new notebook, measuring the total height of those rows and then dividing the total height by the number of rows.
In the case of the Paperchase NOTO (large), you have 26 rows in which to write, measuring 182mm in total, which gives a row height of 7mm.
I noticed that this was somewhat narrower than the spacing on the paper insert behind the shrink wrap would suggest, which I later measured as 44mm / 5 = 8.8mm. I also noticed that the page lines do not quite go to the edge of the paper, but stop with a margin of 9mm. Ha! This means that you cannot see the ends of the printed lines when looking at the closed notebook sideways on, which might have given you an idea of whether the line spacing is suitable or not, when the book is sealed in shrink wrap.
This led me to get out a pile of different notebooks and journals that I had used, of varying line widths, to find my preferred row height. What I learned from this exercise, is that most of these had a line width of 8.00mm or above. The widest (another Paperchase A5 journal with bonded leather cover) actually gave a very generous 10mm. The worst, was a Ryman A5 diary which I had very nearly given up on after a few days’ use, having a stingey line width of just 5.8mm. This annoyed me every day for a year. On some days I wrote on alternate lines.
A difference between 8mm and 7mm might not sound much, but it is a drop of 12.5%.
Coming back to the NOTO, it does feel well made, with proper stitched binding. The pages measure 142mm x 210mm, (which I think is just slightly narrower than A5, but the same height). The paper is of a cream or ivory colour. The weight in gsm is not given but it is reasonably thick and not flimsy. It is a recycled paper, acid free, chlorine free and pH neutral.
I do like the appearance and feel of the leather-look cover. It remains to be seen how this will wear over time if carried around.
Having bought it specifically to use with fountain pens, I was eager to try some. Whilst the paper looks and feels smooth and pleasant, it did seem a little on the absorbant and fibrous side, leading to a slightly wide and woolly line. Some feathering can be seen, especially if examined under a loupe. I have used other Paperchase notebooks with crisper results. Waterman Tender Purple ink in a Platinum 3776 Century, produced a particularly high level of bleed through. Conway Stewart Tavy, by Diamine, (my current favourite blue black) in a Kaweco Dia 2, also suffered bleed through, such that the other side of the page was border-line unusable. On the other hand, Waterman Audacious Red ink which I currently have in a Cross Century II, a Lamy Vista and Noodlers Ahab, fared well although you can produce bleed through if you try, by adding some pressure for a wetter line.
For black inks, I remembered my Sailor Kiwa-guro black pigment ink. I tried this first in a Platinum Preppy 0.5mm (medium nib). The ink performed well with this paper with no bleed through, minimal show through and with less feathering than with the other inks, thus giving a crisper edge to the lines. However the 0.5 nib was perhaps too wide for my smallish handwriting and for the 7mm line width.
The best match that I have found so far, is the same Sailor Kiwa-guro black ink but in a finer nib. I used a cheap, £2.00 cartridge pen from Tesco, a clear and red plastic demonstrator yet which has a nib that I particularly enjoy, unmarked but I would guess a medium/fine with a pleasant feedback. I use this with a converter. I have often marveled at how good this pen is, defying its modest cost.
Since buying the NOTO journal, I have looked for reviews online. An old one from 9 April 2010 on FPN by ImolaS3, compared a variety of notebooks then available in the UK and concluded that the Paperchase NOTO was the best by far. I wonder whether the paper might perhaps have been different then from my example with its recycyled paper, since my experience was rather mixed, until I discovered a winning combination of pen and ink to pair with it.
In summary, I think this is a good-looking journal, in a practical, portable size. The 7mm line width is slightly narrower than my ideal row height but this is a matter of personal preference. The key issue is whether the paper will work for you. But if you are prepared to experiment a little to find which pen and ink combinations suit the paper, then you will be fine.
For the notebook enthusiast, Paperchase has a lot to offer. For those unfamiliar with the name, Paperchase is a chain of high street stationery shops here in the UK, selling pens, greeting cards, novelty gifts and stationery supplies as well as numerous styles of notebooks. The shops are bright and attractive although the displays of fountain pens in spot-lit glass-shelved cabinets, are very uniform from branch to branch. You will never see a fountain pen displayed at an angle of other than 90 or 180 degrees on the shelf and equidistant from its neighbour. Not that this a bad thing particularly. I enjoy browsing and shopping there. They also have a loyalty card offering various special offers and benefits.
On a recent visit, I noticed a new type of notebook. Available with a choice of cover design, (I chose the Inky Swirls), this measures 216mm x 172mm (8.5 inches x 6.8 inches). It contains 288 pages, of cream (not quite white) paper, with headings “SUBJECT” and “DATE” at the top of each page. Lines are ruled, in a reasonably wide format that I like, giving 22 rows per page (not including your header and footer area).
What sets this note book apart however, is that the pages are sewn AND the notebook does not have a covered spine! At first glance, it looks like a book from which the spine has come off. Instead, you look directly upon the neat row of batches of sewn pages.
The colourful front and back cardboard covers are attached, with dark grey end papers. The notebook is nicely bound, but the absence of a spine looks a bit odd at first.
The great advantage though, is that the notebook will open and lay flat easily at any page. This is quite unusual.
At home I paginated my notebook (surprisingly relaxing, thanks for asking) and then tried out a few different fountain pens on the last page to see how the paper behaved. I found it very smooth and pleasant to write on. However, the ink did bleed through the paper with most of the pen and ink combinations that I tried, to the extent that you might use only one side of each sheet, if you are fountain pen user. There were some combinations that fared better. My Cleo Skribent Classic with fine stainless steel nib (currently inked with Cross black) writes a very fine line and did not bleed through. Also My Pelikan M800, medium nib, with Graf von Faber-Castell Cobalt Blue did quite well at avoiding bleedthrough, (unless you let the nib linger too long in one spot). On the other hand, a very wet Sheaffer 100 with a Sheaffer Skrip blue cartridge, bled like a stuck pig.
In the UK we have a saying, that there is no such thing as bad weather, just bad clothes. This set me thinking that perhaps there may be no such thing as not fountain pen friendly; you just need to find the right friend.
For example, I have been reading a very cheap penguin paperback edition of William Wordsworth Selected Poems. The yellowed, coarse paper is of the type that you would probably not even consider writing on with a fountain pen. Ironically, some of the most beautiful poetry in the English language, printed on some of the worst paper. However with a bit of trial and error I found that the ultra fine Cleo Skribent Classic with Cross black is also able to write on this without undue feathering, bleed or showthrough. It is satisfying to find combinations which cater to a paper’s strengths or weaknesses.
I am fond of the cheap edition of Wordsworth’s poems. I don’t mind that the cover gets creased and dog-eared. And I don’t need to feel too worried about scribbling in it. In a way, the Paperchase open spine notebook looks a little like a book that has been pre-loved and worn. I rather like it.
My liking for notebooks goes back to childhood when it was a treat to visit Arthur Birds, our local independent stationer and book seller in Ickenham, a villagey suburb on the outskirts of London. Then, as now, I appreciated good quality and for a notebook, that included having stitched binding so that you could open the book flat without risk of the pages breaking loose.
Today I am looking at a notebook from Paperchase. A sticker on the back cover describes this a COLOURED SQ GEO A6+ FLEXI LINEN NOTEBOOK. They are made in the UK and sell for £8.00. Happily I picked up mine for £4.00 during a sale.
The “coloured sq geo” refers to the cover design and there are several other options. This one consists of a geometric pattern of squares in shades of purple and white. It also has purple endpapers, a matching purple bookmark and purple headband (the pretty piece of material like a small caterpiller at the top and bottom of the binding).
The book contains 320 ruled pages of almost white (ivory?) paper, with a pleasantly generous line spacing. There are 17 rows to a page, measuring 137mm (not including the top and bottom margins) and so this means each row has a height of 8.059mm. Personally I find this ideal as I am not so keen on narrow line spacing.
I should mention that the book is actually larger than A6. I assume that this is why it is called A6+. The pages measure 163mm x 119mm and the covers are slightly larger all round, to protect the paper. This is a very useful and convenient size to carry in a bag or large coat pocket without being too bulky and heavy.
The cover material is hard to identify. It does have a pleasant texture and the covers are flexible, but I am not sure if it is linen. Whilst it has a cloth-bound feel, I would guess it to be some sort of man-made material, but whatever it is, it is nice to hold and feels tough and hard wearing.
The binding, I am delighted to say, is very well done, with 10 sewn batches of folded leaves and a pleasing, rounded fore edge to the leaves. The book can be flexed in the hand as you flick through the pages, yet the cover seems sturdy and protective. All in all it feels very well made.
The paper is very smooth to the touch and of an ideal weight, being neither too thin and see-through nor too thick and stiff. The weight is not stated. I would guess it to be a little heavier than your typical 70 or 80gsm office paper and so perhaps somewhere around 100gsm.
For the fountain pen user, the paper is smooth and I have not experienced any feathering or bleeding with any pen and ink combinations that I have tried so far. Show-through is minimal. I would describe this as fountain pen friendly paper. I would just caution that if you have a very smooth, highly polished nib, it may skate around on this paper and struggle to lay ink down. I think it needs a nib which is a little “toothy” to make the best use of this paper. Recently I have been enjoying a new Cleo Skribent piston-fill fountain pen with a stainless steel, fine nib. The paper is not overly absorbent and the ink does not spread and so a very fine nib does produce a very fine line. The nib on the Cleo Skribent is quite amazing and with no pressure will lay down a line on even the smoothest of papers.
When I buy a new notebook I like to try out a few different pens on the back page to check for feathering and bleeding and general fountain pen friendliness. I then like to paginate it, with pencil or ballpoint pen so that I can go through the whole book quite quickly.
I was sufficiently delighted with this book to go back for two more, even though these were back at the usual price of £8.00. For the many hours of use that I will get from 320 pages, I think this is great value these days.
I have recently come to the end of my first one of these. I had written the date in the front, 10 October 2015, so it has lasted me over a year. To give it its full title, this is the A6 Black 300 Page Leatherlook Note Book. It is made in Spain and sold by Paperchase, a chain of stationery shops here in the UK.
However, according to my dictionary, a “leaf” is the term for a portion of a book of which each side is a page. What they should have called this, is a 600 page note book.
600 pages! That is too many to paginate, but also too many not to paginate. I did in fact chose to paginate mine, although this takes a certain amount of fortitude and patience. You might not want to tackle it all in one sitting.
A6 size is approximately 6″ x 4″ or 150mm x 100mm and the book is 25mm thick. The black cover has a pleasant matte, leathery feel and is soft and flexible, like a paperback novel. The paper is white, with squares comprised of pale grey lines (yet on very close inspection these turn out to be more like a blue or purple). The line spacing is a little too narrow for single line writing unless you have very small handwriting but you may write on every other row, to give a generous wide line spacing if preferred.
The best thing about it though, is that the paper is remarkably fountain pen friendly. It is a 70gsm paper, smooth without being overly glossy and does not suffer from feathering or bleed-through. Show-through is minimal and so you can write on both sides and really make use of those 600 pages. For the purpose of this post, I did try using Pelikan Edelstein Tanzanite (which is my “most-prone-to-bleed-through” ink) with a glass dip pen and having shaded a block of six squares in a pool of wet ink, I was able to produce just the beginnings of some bleed-through on the reverse, but you would not do this in normal writing conditions.
The pages (or leaves) appear to be glued rather than stitched, but the binding is strong and after a year’s use I have not had any pages breaking loose. You need to be a little careful not to crack it open too flat but the cover and spine are flexible and floppy. The cover will get a little creased and dog-eared with time. It is a good size to write with, on your knee.
I have enjoyed using it very much. Flicking back through, I see that I used it mostly for sampling various fountain pen and ink combinations, occasionally writing a list of what pens were inked and with which inks, records of purchases at pen shows, music that I had listened to, notes from TV documentaries, names of contestants and their professional dance partners in “Strictly Come Dancing” (doesn’t everyone do that? Oh.), colour samples of inks, doodles and sketches and just gratuitous fountain pen writing for no reason other than the joy and therapy of putting pen to paper.
Once I realised how much I liked this notebook, I went to another branch to buy a spare and was disappointed to find that there was none in stock. I looked on line at Paperchase’s web site and found a statement that it was a favourite but out of stock at that time. They seemed to disappear for a while. Back in the branch last December, I bought the closest equivalent that I could find, which was an Agenzio soft black, ruled notebook, with the same leather-effect cover, sewn (yay!) and with 384 pages, but crucially for me, was not fountain pen friendly and every pen and ink that I tried bled through (with the exception of a Platinum Preppy extra-fine 0.2mm nib with a black cartridge) and so you could not use both sides of the paper with a fountain pen.
I kept an eye open for the 600 page notebook whenever I was in one of their stores and happily, they did reappear in time for me to buy another before finishing my first one. I was so delighted that I bought two of them. And then, inexplicably, another two.
Here are the new notebooks, still with their protective sleeves, next to a Parker IM (new version) which I have included for scale. Keen-eyed readers may recognise that the pen rests are crafted from blocks of sponge which are part of the packaging of Pelikan Edelstein inks.
The notebooks are priced at £7.00. Finally, I have no affiliation with Paperchase (although I spend rather too much time in their shops) and am not paid or compensated in any way for this review. But these are great notebooks. Credit where it is due.