Early thoughts on the Pilot Synergy Point 0.5 rollerball.

The Paperchase store near my office no longer has a glass display cabinet of fountain pens. Its fountain pen offerings are now limited to a good selection of Lamy Safaris and Al-Stars, Kaweco Perkeos and Faber-Castell Grips, although it is good that these are still available. I enjoy browsing around the shop and often buy notebooks there.

Whilst visiting the shop one lunchtime recently, I came across a cup full of Pilot retractable pens, in a mix of blue or black, called the Synergy Point. These are not new pens but were new to me. I now gather that in other places they are called the Pilot Juice Up.

The Pilot Synergy Point.

To my naked eye, the writing tip looked so fine that I thought it was a fineliner, although it is in fact a tiny rollerball and one of Pilot’s gel pens. I liked the look of the pen, with its rubber grip section and rather superior metal nose cone. I bought one each in blue and black.

Features.

So, this is an inexpensive, retractable, gel pen, with a fine point. It delivers a smooth line (depending upon the type of paper you are using) with minimal pressure. Pilot’s catalogue entry states “A unique pen which, thanks to the innovative “Synergy tip”, combines a fine line with a very smooth writing experience.” Although labelled as 0.5mm, this is the tip size. The line width is said to be 0.25mm. It is also refillable, (using Pilot’s BLS-SNP5 refill).

Synergy Point, 0.5mm tip gives a 0.25mm line.

The gel ink in the blue version, is a pleasing shade of blue, which dries almost instantly and is also waterproof and so does not smudge.

When the tip is retracted, the push-button does not rattle, but it goes slack once the tip is deployed, which means that the button will rattle if you shake or turn the pen up and down. Also, there is an indicator window at the top of the barrel, just below the clip, comprised of five square dots, arranged like on a dice. If you look closely these are white when the nib is retracted and then go dark when the button is pressed down. As an indicator of whether the tip is out or not, you are better off looking at the tip itself or even the position of the button.

The pocket clip is plastic and rather soft and bendy and so not very secure and best not relied upon.

Size and weight.

The pen is about 140mm long when in writing mode. It weights about 12g. The girth is about 9mm. However the rubbery grip section and stepless barrel design make this a comfortable pen to use. The metal nose cone also places the centre of gravity further down towards the tip.

The writing experience.

The comfortable rubber grip, combined with the weighty metal nose cone and the lack of any wobble from the very narrow writing tip, all make for a feeling of precision when you are writing. Also, very little downward pressure is needed, although you do need a little to avoid skipping.

Some writing comparisons.

I have tried the pen on about half a dozen different notebooks. It is best suited to smooth papers without much texture as you do not have a large tip area to ride the bumps. However the ink flowed well. On all the papers I tried, any showthrough was minimal and there was no bleedthrough, even on papers which often struggle with ink. For example an Agenzio notebook (from Paperchase) has paper which suffers bleedthrough even with Waterman Serenity blue, but not with Montblanc Permanent Blue, Sailor Kiwa-guro or Platinum blue black, all of which are waterproof inks. The Synergy Point now gives me another bleed-free option for this brand of notebook.

A new option for bleed-prone papers. The Synergy Point on an Agenzio by Paperchase soft cover A5 notebook.

Disassembly and refilling.

At first, before checking online, I tried to unscrew the nose cone. However I later learned that the pen unscrews at the barrel, and you just hold the grip section in one hand and the smooth plastic barrel in the other. It was tight the first time and I was worried about destroying the pen, but was encouraged by seeing photos online of the two parts separated. I anticipate that the refill will last for ages but it is good to know that refills can be purchased.

Unscrews at the barrel, not the nose.

Likes and dislikes.

Plus points are the attractive design, sturdy build (aside from the flimsy clip and the rattling button) and the unusually fine writing tip for fine work. Having a waterproof ink is also useful. The familiar retractable design is obviously convenient and practical.

On the negative side, there is the feeble pocket clip and the rattling buttton. Also I would have preferred not to have a permanent bar code and a 13 digit number on the barrel but these are minor issues.

Pricewise, the blue model registered £4.25 on the cash till but then the black one registered as £5.00 which was slightly annoying. I would expect them to be the same price, whichever figure is correct, but it seemed fruitless to pursue this.

Conclusion.

I use ballpoint pens a lot for notes at work and a gel pen makes a pleasant alternative. The writing looks nicer and there is typically less pressure required yet you have all the convenience of a ballpoint pen. It is not a substitute for a fountain pen, which is still far ahead for line variation, shading and general writing pleasure. But the gel pen is a very useful writing tool to have and has its own merits.

The Platinum Curidas: removing the bump.

Today was Day 6 of my ownership of the Platinum Curidas, as discussed in my previous post.

I have been using the pen with the metal pocket clip removed, which improved comfort but I was still irritated by the protrusion on the top of the pen, where the clip had been. For a lefty overwriter, this bump sits just where I want to place my thumb when I grip the pen. I have been deliberating on whether to try to remove it, but was worried about the risk of cracking the pen in the process.

With clip removed, there is a keel-like protrusion at the 12 o’clock point which bothered me.

Apart from this issue, the pen is great. I appreciate that it will not be everyone’s cup of tea. FPNers were critical of the overly long push button (some call it a knock) to operate the pen, which is odd-looking when the nib is retracted. However this is a necessary consequence of the nib mechanism having such a long travel and the button all but disappears when the pen is in writing mode.

This morning I sat down to write a letter with it. Honestly, the writing experience of the smooth medium nib, with Platinum Blue Black ink on Basildon Bond writing paper, was joyous. If only the bump could be removed!

Over the past few days I have been pondering on how to file acrylic safely. I watched a few videos on YouTube and even popped into a nail bar today to get some tips from those who work on acrylic nails.

Fortune favours the brave. I finally decided to have a go. I applied masking tape around the four sides of the bump, just leaving the bump exposed and then very carefully applied a few strokes of a file, which came in a craft kit with various grades of micro-mesh. I started filing the top, with very light pressure and going in one direction only, not backwards and forwards.

After the first few strokes, the top of the bump was scuffed and no longer shiny. There was no turning back now. White powder deposits on my file told me that it was working.

Every 10 minutes or so I stopped to unmask the pen and examine my handiwork with a loupe. I was encouraged that there was no evidence of cracking and that the masking tape was doing a good job of protecting the surrounding area. Towards the end I switched to a finer grade of file.

Eventually, having almost reduced the bump to the level of the barrel, I stopped. I decided not to remove any more material, for fear of scuffing the glossy barrel. Also it was quite nice to leave a very slight prominence, for texture to help in gripping the pen.

Post surgery. Just a very slight ridge where the bump once was.

The whole exercise took about 45 minutes. I am very happy with the result. I am now going to enjoy the pen even more.

The new and improved Curidas.

Early thoughts on the Platinum Curidas fountain pen.

Last week I spent a most delightful evening at Choosing Keeping, a lovely stationery shop in London’s Covent Garden. They were hosting an event to launch Platinum’s new retractable nib fountain pen, the Curidas. It was also a celebration of the Platinum pen company, attended by senior representatives of the company over from Japan and with a display of rarely seen fountain pens from the company’s 100 year history.

Choosing Keeping, a wonderful stationery shop in London.

The new Curidas was on display, in each of the five colours (red, blue, green, smoky grey and clear). Also there were test pens on the counter to try out, in both the fine and medium nib options.

Description.

The Curidas is a fountain pen with a retractable nib operated by pressing the button that extends from the end of the barrel. Press once and the nib pops out through a trap door, with a satisfying click. Press again and the nib retreats and the door closes, to seal off the nib and keep it from drying out.

At first glance it is similar to Pilot’s Vanishing Point or Capless fountain pen, except that the Curidas is made of plastic and has a stainless steel nib. Also, the steel pocket clip is removable.

The Platinum Curidas.

Disassembly and filling the pen.

As fountain pens go, this is a fun mechanism to play with and a very clever design. To fill the pen, you first unscrew and remove the barrel. Next you withdraw the entire nib, feed and ink housing. Simply push it inwards and then twist (like unscrewing a light bulb) and out it comes in one piece. Next you do a similar twist and pull operation, to remove the ink reservoir cover from the nib and feed unit.

Next you can attach either a Platinum ink cartridge to the feed, or a Platinum converter, before putting back the shiny chrome cover, inserting the whole unit back into the pen and screwing the barrel back on. It is easier than it sounds.

Disassembled for fitting cartridge to nib and feed unit.

The nib.

The pen is available with choice of medium or fine steel nib. I tried the fine nib first on the test pen and was immediately struck by how beautifully smooth and precise it was. I wanted to go on and on writing with it! I then tried the medium which was slightly broader but still on the fine side. The Curidas fine and medium nib options could perhaps be said to equate to a western extra fine and fine, or leaning towards it. After trying both, I decided to buy the pen, in blue, with the medium nib.

The nib is small and some might say, too small for the large pen. However, it is necessary to remember the practicalities of designing a nib that will retract into a pen barrel of this size.

With nib extended. This was how the pen looked before I removed the pocket clip.

The writing experience.

The medium nib on my model proved to be superb. Examined under a loupe, the tines were even and symmetrical and there was a slight gap between the tines. This is how I Iike them for good flow, with smooth, well lubricated writing with no downward pressure required. This suits my lefty over-writer style of writing.

At home, I loaded the supplied Platinum Blue Black cartridge. I clicked open the nib and was delighted that the pen wrote immediately from the first touch of nib to paper.

I was also thrilled with the Platinum Blue Black ink. The special promotion included a pack of 10 of these superb cartridges. The box features a picture of Mt Fuji and and states that the ink contains 5% natural water sourced from the base of Mt Fuji. The ink is a lovely shade of blue and water resistant. There is also a metal agitator ball.

I was very happy with the nib and the ink. However in terms of comfort there are a couple of potential issues to be aware of. First on the underside of the barrel, there is a rounded protrusion which accommodates part of the nib’s trap door when opened. It is quite far forward on the underside of the barrel but you may still find your second finger rubbing against this as you grip the pen if you hold the pen low, towards the nib

But the bigger problem for me, was the metal pocket clip. This is aligned with the nib and so if you hold the pen with finger and thumb symetrically placed, either side of the 12 o’clock point then the clip may not be in your way. But if like me, you rotate the nib slightly inwards, the pocket clip may then fall directly below your thumb which is not very comfortable.

The good news is that the metal pocket clip can be removed. A plastic tool for this purposes is included in the box. It works by being placed around the underside of the barrel and then being pushed inwards so that the chamfered edges slide under the metal clip and lift it off the raised locating pegs. In theory, you then slide the clip along and off the pen. In practice I found this very fiddly and awkward and I spent a frustrating few minutes pushing and shoving whilst worrying that something might break. I did eventually get the clip off but need to spend a bit more time practising the technique.

The bad news is that even with the pocket clip removed, there is still the issue of a plastic nodule protruding at the top of the barrel, which is to keep the clip in place.

In profile, with pocket clip removed. Note the offending protrusion at the top.

At the moment, I am using the pen with the clip removed and waiting to see whether my grip adapts to this protrusion in time. Alternatively, I will have to think how I might remove it safely without risk of cracking the barrel and ruining the pen. But I do wish it was not there. For me the pen would be so much more comfortable without it: just try holding the pen by the opposite end of the barrel, to see how it would feel.

Weights and measurements.

The pen with a cartridge weighs about 26.5g of which about 2g is the pocket clip. Lengthwise, it is about 154mm closed but reduces to about 142mm when the nib is extended when most of the button retreats into the barrel. The girth of the barrel is roughly 13mm in diameter.

Apologies for poor lighting. The pen is a good 140mm long with nib extended, which is great.

Likes and dislikes.

There is a lot to be said in favour of this new pen. The generous length, girth and weight are pleasing. The nib (on my model and the two test pens that I tried) is a delight and writes beautifully. The mechanism to extend and retract the nib is a marvellous design, save perhaps for the need to have a lump on the barrel for part of the trap door mechanism to go into. This does serve as a roll stop, if you have removed the pocket clip.

The pen seems very well made and comes in a range of attractive semi transparent colours and a clear demonstrator version. It has a good ink capacity: the Platinum cartridges hold 1.2ml and there is the converter option too (although sold separately). The cartridge or converter metal housing has cutaways to serve as an ink window.

On the down side, my only real complaint is the lumps and bumps on the barrel where you want to grip. It is a big help that you have the option of removing the clip. I found this a rather awkward operation and was disappointed that even with the clip removed, there is a still a plastic protrusion at the top of the barrel just where I would like to rest my thumb. There are a couple of other tiny locating bumps for the clip too but these are far enough out of the way not to be a problem.

It is a pity to have a dilemma of whether and how to file off a protruding piece of the pen barrel, to make the pen comfortable to hold. But perhaps this is just me because of my unusual way of holding the pen. I know that many people use the Pilot Vanishing Point or Lamy Dialog without such issues.

Medium nib. Platinum Blue Black cartridge ink. A most enjoyable ink!

Conclusion.

On balance, I found the positive points about this pen more than made up for the negatives. Admittedly it is only a few days old and still well within the new pen honeymoon period but I know I am going to like it.

The retractable nib and single-handed operation make this an ideal pen for quick notes while out and about, such as in a theatre or while standing without a place to put your pen cap. Ironically, these situations are also when a pocket clip is useful to carry the pen in a jacket pocket. If you have removed the clip to make the pen comfortable and then carry the pen in a pen case or sleeve, it rather defeats the object of being quick and easy. You cannot remove the pen from a pen case single handed and you will still need to find somewhere to put the pen case down while you write.

Perhaps I am in the minority here with my unusual grip style. The retractable nib is fun and a novelty. Above all, the pen writes superbly and so I will find a way to make it work for me. I am sure that it will prove to be a great success.

That new pen feeling.