Remembering my dad, Manouk Sarkis Arzeian, (1929 – 1983).

In normal daily life it is rare that anyone asks me about my late father. To be fair, I do not often ask other people about theirs. We are too busy, caught up in our own lives.

Yet I think about him often. Today, 9 December 2023, marks the 40th anniversary of his death. He was aged only 54 and had been admitted to hospital for a coronary by-pass operation, but passed away before the surgery took place.

He had been fit and active all his life. He was born in 1929 to an Armenian father and English mother and grew up near Ealing, west London. He worked for a time in his father’s antiques and carpets business, before moving on to work for an electronics company. He met my mum whilst they were both working for Ultra Electronics in Perivale in the mid 1950’s and they married in 1957, moving into a new detached house in Ickenham, a suburb of London which had a pleasant, village feel. I was their first child, in 1959 and was later joined by a sister and then a brother.

Dad stayed at Ultras, working as an electrical maintenance engineer until 1974 when he moved to a similar role at EMI, better known as a record label, although he worked in a totally different division, building electronic equipment.

At home, he always kept busy, outdoors mostly, such as in tackling jobs in the garden or doing all his own maintenance on the house or the car. One end of the garage comprised his workbench, full of tools and surrounded by odd pieces of scrap metal and wood which might be of use. He once built me a magnificent go-cart, which my friends and I loved to ride around the garden. My parents had landscaped the garden, to include a pond, which my friends and I loved to play in.

He had numerous interests over the years, from collecting coins, Victorian bottles, fossils, flint arrow-heads, attending philosophy evening classes, and a keen interest in watches, cameras, and guns – to name a few. He enjoyed the novels of Nevil Shute and was keen on old films, having been to the cinema’s matinee club, every week for a year as a child, knowing all the Hollywood greats.

If we visited a town centre together, we would always pause at watch shop windows, and pass judgment on all the watches on display and pick our favourite. As a young man he was proud of his Heuer Chronograph. I recall that, as his tastes changed, he bought a Rolex GMT Master, but after a few years, swapped this for a Rolex Submariner (or it might have been the other way round). He then tried the new Bulova Accutron, before eventually coming full circle and reverting to simple, inexpensive hand-wound mechanical watches such as Sekondas, that he did not need to worry about.

Dad, late 1950’s or early 1960’s wearing his Heuer Chronograph.

I remember him trying numerous different, mainly 35mm cameras too, from a Contax, to a heavy Russian Zenith E (his first SLR camera), a Petri TTL, then an Olympus OM1, his favourite. There were many others, including a Konica with one of the first auto-focus systems, a tiny metal Minox “spy camera” and a Zorki 4.

His other most enduring hobby was shooting. He held a firearms licence and, as with his watches and cameras, progressed through a number of different models. He often took me with him to Bisley ranges on a Saturday morning, or to our local gun club, from the age of about 6 onwards. When I later went to a boarding school and joined the cadet force, I did at least have one advantage in that I was already familiar with handguns and rifles. Dad had owned dozens of different models.

He had not been interested in fountain pens, but if he had, I imagine that he would have gone through a similar journey as he did with his watches, cameras and guns, always wanting to try something else, before eventually concluding that he needed only something simple and inexpensive.

As a young man he took an interest in law and liked to discuss legal issues with an acquaintance who was an in-house solicitor for a large corporation. He was happy that I was to go into the legal profession. By the time he died, I was 24 and had been working as a trainee solicitor (then called an articled clerk) for two years and was due to qualify in March of 1984, embarking on a career of almost 40 years as a solicitor in private practice.

Memories of my dad often pop into my head and catch me unawares. About 10 years ago, I compiled a list of some that I could remember, giving them each a key word or words and then sorting them alphabetically in a mobile phone app called Colornote. I continued to add to my list for some time, before writing up these fragments of childhood recollections, one by one, with a fountain pen in an A5 journal. I tried to set aside an hour on Thursday mornings, when I could rise early and enjoy some quiet time with a pen and notebook. Within a few months I had “written a book”, albeit of significance only to myself. It felt good to have these memories down, in case I forget them later. I have since given this to my niece Emma, who missed out on knowing her grandfather by a few years. I was to repeat the writing process later with memories of my mum, then my school days and then college years. It was an enjoyable and satisfying process which I would recommend.

A few weeks ago, it occurred to me that my dad’s date of death, 9th December or 912, was also a model of a Pilot Custom Heritage fountain pen that I liked. I toyed with the idea of buying one in his memory, although admittedly that seemed a weak excuse to buy yet another pen. However, when my wife was in Hong Kong recently and asked whether there was anything I would like her to get for me, the idea of the Pilot CH912 was at the front of my mind. She very kindly tracked one down on her last full day there, with my first choice of a Waverly (WA) nib as requested. I love it. I like to think that dad would appreciate his 40th anniversary being remembered and marked in this way.

One of the pen shops my wife visited in Hong Kong. Just as well I wasn’t there.

Early thoughts on the Hongdian N23 Year of the Rabbit fountain pen.

I am lucky to belong to a fountain pen club that meets once a month in the convivial surroundings of a pub in London’s Spitalfields market. This is where I can spend three hours thinking and talking about pens in the company of equally enthusiastic pen people.

At our latest meet, as my notebook reminds me, I had enjoyed trying out a variety of fountain pens, including Bryan’s Pilot Custom Urushi, a Hakase ebony, and a special Platinum 3776 in briarwood and then a few of Peter’s vintage Kingswood pens with Swan nibs. I then picked up one of Baran’s pens in what appeared to my untrained eye to be an urushi lacquer with intricate gold maki-e artwork on the cap and barrel. The large gold-coloured nib featured a rabbit imprint and a rather long tip, rather like photos of a custom architect grind, that I had seen on Instagram, on Marc Bacus’ @nibgrinder site.

When I put pen to paper, the sensation was of a deliciously smooth nib, producing a bold line with some subtle line variation. I asked him whether this was a custom grind. “No” he replied and went on to confirm that this was a factory nib and that he had not done anything to it, other than perhaps a little smoothing. To my surprise, the pen in my hands that I had thought cost hundreds of pounds, was a Chinese Hongdian model N23, or “Year of the Rabbit” edition, costing around £40.00 on Amazon. I made a mental note to look into this!

Hongdian N23 “Year of the Rabbit” pen.

As the afternoon progressed, I was able to try many more interesting pens that were circulating the tables. I reciprocated, handing around my recently acquired Tibaldi Infrangible Black Gold, and a Parker 61 Heirloom, capillary filler with one of the smoothest hooded nibs I have ever known.

Back home that evening I looked for the Hongdian N23 rabbit pen. I found that it was available in four colours, red, black, blue and white. The red and the black versions featured gold coloured engraving, whilst on the blue and the white versions, it was in silver colour. Also there was a choice of an extra fine nib or the nib that Baran’s pen had, which they called a “long knife” nib. I opted for the red version with long knife nib. As luck would have it, there was a 20% discount on for Amazon Prime members and the pen would arrive the next day.

Unboxing.

The pen comes in a grey cardboard outer box, inside which is a metal box, with the pen nestling in a foam surround and in a polythene sleeve. Having more time to inspect it closely, the quality of finish looked and felt good. The pen is of metal construction, but coated in a rich Burgundy piano lacquer and the artwork, which appears to be engraved or applied in gold, includes a rabbit on both barrel and cap, plus trees and foliage and distant hills in the style of a Chinese brush and ink painting.

Joy and anticipation.

Construction.

The pen has rounded ends and a screw cap. There is a gold coloured pocket clip which looked as if it might be sprung but is not, and is extremely stiff, functioning better as a roll-stop. The cap unscrews in one and a half rotations. There is a comfortable grip section, ending at the nib with a flat-fronted ring. The nib and the ring are, I think, gold plated although the nib is not marked as such, at least not on the part of the nib which is exposed. Whilst the ring looks nice I suspect that it may reflect sunlight into a halo around my writing, which is a first world problem I have sometimes with my Pelikan M800.

The “long knife” nib option, with rabbit motif and a gold plated ring.

The nib has another rabbit motif and a plastic feed. The tipping is rather special. It is not a flat, architect type grind but rather, presents a curved edge to the paper so that the pen may write smoothly however steeply you hold it to the paper. This is similar to the principle of Pilot’s Waverley nib, except that the curved writing surface is formed by the shape of the Iridium tipping material, rather than by having Pilot’s gentle upward curve to the tines.

A surprisingly fun nib for a £40 pen.

The pleasing quality continues with the metal collar to support a cartridge or converter (the latter being included in the pen) and a rubber O-ring to help seal the pen against leaks and to give the barrel a more secure hold, when screwed in place. The threads inside the barrel are also metal.

Plastic threads for the cap, metal threads for the barrel. Converter includes an ink agitator ball.

The writing experience.

Very smooth. I inked the pen initially with Montblanc Corn Poppy Red, which was quite pleasing but changed it the following day for Diamine’s Pelham Blue. The ink flow was just right, giving a nicely lubricated writing surface. On my Stalogy notebook paper, it writes very well although on Basildon Bond’s writing paper, the nib struggled with the smooth paper and skipped a lot.

Trying a few different writing styles on Stalogy 4mm grid paper.

The line width, although I do not have an accurate means of measuring it, appears to be around 0.6 mm on the cross stroke, at my usual writing angle. This is not a nib designed to write lines of different thickness according to how steeply you hold the pen (as with Sailor’s Zoom nib for example) but rather, seems intended to write smoothly to accommodate different ways the pen might be held.

Weights and measures.

The pen, capped is around 141mm long. Uncapped it is 122mm. I do not like to post this cap, for fear of damaging either the cap threads or the barrel engraving. It does not post very deeply or securely and I have not pushed it. It weighs a decent 35g, being 21g uncapped and 14g for the cap alone. That is a good optimum weight for a pen in my opinion.

Gratuitous Porn Copy Red

Conclusions.

I am glad to have found this pen, with its attractive appearance and unusual tipping. I enjoy writing with it. It serves as a lovely smooth broad nib and at a modest price. The rabbit is a symbol of good luck, prosperity, happiness and serenity in Chinese culture. Certainly, I feel lucky right now. I am lucky to have so much pleasure from the fountain pen hobby. I am lucky to have this blog and today’s post is the 250th.

The lucky rabbit.

This is my first Hongdian pen. I wonder whether they may bring out a new edition for each Chinese New Year. This could be a slippery slope.