A new era for marriage registrations.

On May the Fourth this year, while many on Instagram were marking Star Wars day in their posts, there was another event which might have slipped under the radar. This was the coming into force of the Civil Partnerships, Marriages and Deaths (Registration etc) Act, 2019.

I awoke to a 6.30am radio news item from the BBC that for the first time, mothers’ details would also be included in the registration of a marriage, this being just one of the changes introduced by the Act, hailed as the biggest modernisation of marriage registration since 1837.

A Register of Marriages, with a bottle of Registrar’s ink and my two Parker Frontier fountain pens.

I mention this as for the past 10 years, I have been the Authorised Person from our church in Golders Green, London, to register marriages taking place at the church. I was quite proud of this role, although a little apprehensive at the responsibility involved to get it right. The Guidebook for Authorised Persons, issued by the General Register Office at that time, ran to 40 pages. I was particularly worried about the lengthy procedure to be followed in the event of a mistake being made in the registers after signing. Whenever registering a marriage, I drafted all the entries on a separate sheet first, in the same format, looking out for any unusual names and ensuring that addresses would fit in the required boxes.

I learned what I could from a brief conversation with a departing minister. I also attended a couple of annual workshops for Authorised Persons, hosted by our local Register Office which were helpful and lively, and included such topics as sham marriages, entered into to derive some advantage in immigration status for one or other of the parties.

I enjoyed familiarising myself with the conventions of recording details in the marriage registers, such as writing clearly and legibly, avoiding fancy flourishes; using capital letters for surnames and entering the groom’s details above those of the bride. I was excited to use Registrar’s ink, an iron gall blue black ink, from Ecclesiastical Stationery Supplies. I find the way that it darkens from a grey blue, almost to black, endlessly fascinating in a way that other more fountain-pen friendly blue black inks can not match.

I soon learned that Registrar’s ink needs to be used within about 18 months of opening a bottle and exposing it to air. After this, it gradually loses its colour and ends up a weak grey. I found this out by using an old bottle of ink at the church, which was past its best. However, I would never get through a 110ml bottle of ink in this time. I decanted some of the ink into a bottle to use at home and had to buy a new bottle when it had lost its properties.

In the very first marriage that I registered, arriving at the church very early to prepare, I found from the printed orders of service that the bride’s middle name differed from my notes and so was glad to have spotted this. Being early reduces last minute panics.

Registrar’s ink, apart from being permanent, is not kind to fountain pens and it pays to flush the pens promptly after use. I was told of one minister shaking a fountain pen to get it started and splashing Registrar’s ink on a bride’s white dress.

Ours is small church and over the past decade, having very few weddings, I was called into action only a handful of times. Mostly my role was to submit the quarterly returns to the Register Office, declaring that the number of marriages in the past quarter to be “Nil”, or if there had been one or more weddings, copying out all the details again by hand, and certifying these, in Registrar’s ink on the returns form.

Now, the new procedure means that the old Marriage Register books, completed in duplicate, are redundant. I was instructed to cross through all unused entries and to hand in one of the books to the local Register Office along with any unused stock of marriage certificates (drawn up and issued to couples on their wedding day), or any surplus quarterly return forms. The other copy of the Marriage Register remains at the church for record purposes.

Under the new procedure, paper marriage registers are withdrawn: it will no longer be necessary to fill out all the details of the marriage by hand in a Marriage Register. Instead, couples will be issued with a Schedule printed in advance. This will be checked and signed by the couple, the witnesses and the Authorised Person on the day of the wedding (still using Registrar’s ink). It is later returned to the Register Office, for the details to be uploaded on the electronic register.

I am relieved, that this occasional duty has been lifted from me, even though I was so seldom required to perform it. The anxiety of entering all the details quickly and accurately, twice in the Marriage Registers and then once more on a Certificate, whilst the wedding couple and their supporters and photographer waited in excited anticipation, was stressful to a non-professional Authorised Person, in a way that is hard to describe. For Authorised Persons, the changes are:-

  • We are no longer required to register marriages;
  • We no longer issue marriage certificates;
  • We no longer need to complete quarterly returns;
  • We no longer have to undertake corrections in marriage registers (these instead being carried out by registration officers).

One young bride-to-be has already commented to me that the new system seems a bit of a shame and less romantic in a way but a sign of the times. Perhaps it is the end of an era, but the dawn of a new one.

Other colours are available.

It is probably safe to say that blue is my preferred colour when it comes to fountain pens. A quick glance at my pen cups shows blue pens to be the most prevalent. And looking back at my pen buying over the past few decades, I have generally gone for a blue, if there was a choice.

The pens above, from left to right are:

  • (1) Campo Marzio Accropolis;
  • (2) Cross Peerless 125;
  • (3) Cross Bailey Light;
  • (4) Diplomat Excellence A Plus;
  • (5) Parker 51 aerometric;
  • (6) Pelikan M205, blue demonstrator;
  • (7) Pelikan M800;
  • (8) Platinum Curidas, Abyss Blue;
  • (9) Sheaffer Prelude, cobalt blue with rose gold trim;
  • (10)Waterman Expert, (1990’s).

I have had no regrets about choosing blue for any of the above. The Cross Peerless, in quartz blue, is possibly the most handsome pen that I own, along with my Aurora 88 (black and gold) and the Pelikan M800. Nevertheless I remain tempted by the Peerless in titanium grey, imagining how nice this would be with a burgundy or dark red ink.

It is not just fountain pens in blue that I prefer, but inks too. Whilst I have accumulated a stash of ink of many colours, blues are by far the most numerous and of these, I tend to fall back on the same favourites time and time again, including Waterman Serenity Blue, Montblanc Royal Blue, or Graf von Faber-Castell Cobalt Blue. When I want a blue black, I usually reach for the Diamine Conway Stewart Tavy.

I have a fair number of other colours too. I sometimes feel like trying a turquoise, but usually seem to go off it before the end of a fill. But flushing a pen does not always have to mean jettisoning the remaining ink, when there is an option to use it in a mix.

Occasionally I experiment with new (to me) colours to broaden my horizons. This year I have been enjoying one pen and ink combination per calendar month for my A5 page a day diary. In April, it was a Moonman S5 filled with Diamine Scribble Purple – which looked, to my eyes, rather less “Deep Purple” and more “Black Sabbath.” I was looking forward to the May changeover However, rather than ditch the remaining Scribble Purple, I simply added some Robert Oster Fire and Ice, plus a little Serenity Blue, and found that I had made myself a very acceptable blue black. I was happier with this than with either the Scribble Purple or the Fire and Ice on their own.

One of the many things that I love about the Moonman S5 is its ability to receive top-ups of ink from half-spent cartridges or converters in pens that I want to clean, or ink samples, into its clear demonstrator eye-dropper barrel. The see-through acrylic lets you keep an eye on the reservoir for any signs of inks clashing.

A rather fetching pencil.

Recently, visiting a delightful stationery shop in Eton, I found a display of the Lamy Crystal range of inks, which I had not tried before and bought a bottle of Lamy Azurite, which looked promising as a vibrant rich blue, although I had not done my homework and had not appreciated that it also has purple leanings. I also bought the classic, Pentel P207 (0.7mm) mechanical pencil, which is a pleasing blue. I think my blue credentials are clear!

Lamy Azurite, Crystal Ink.

I suppose that we all learn more about ourselves as we get older. One conclusion for myself is that I would not mind too much if I had to restrict myself to a royal blue ink, in a blue pen. I just never tire of that.

Gratuitous final image of a back-lit blue stripe M800.