A few thoughts on the Leonardo Furore Arancio fountain pen.

This is not a new acquisition but a pen that I bought, gleefully, at the London Pen Show in March 2019. The Furore was then a fairly new model, which followed Leonardo’s Momento Zero and was very similar except for having bullet shaped ends.

With a range of vibrant colours, said to celebrate the natural colours of the Amalfi coast, it is hard not to be drawn to a display of these stunning Italian pens at a pen show. Shiny, smooth, tactile and colourful, with a lovely chatoyance as you turn the pen in your hand, I found the pen irresistible. Each pen is numbered on the barrel. Having chosen this refreshingly bright orange pen, it was an added bonus to learn that mine bore the serial No. 001 for this colour. I opted for a fine nib. There are both gold coloured or silver coloured nibs and fittings available.

The Leonardo Officina Italiana Furore Arancio. Seen here between a Momento Zero (front) and a Campo Marzio Ambassador.


This is quite a large pen but not overly heavy. The cap features a sturdy metal clip with a rolling wheel at the end and two gold coloured cap bands. The cap unscrews in one full turn. The section shape will be familiar from the Momento Zero, having the same generous girth at the barrel but then tapering to a narrower girth lower down. This looks a little odd at first but makes for a comfortable grip with a natural dip where I rest the pen on my second finger.

The Furore uncapped.

The barrel unscrews on resin threads. It is a cartridge converter pen, taking standard international cartridges but comes with a handsome, screw in, branded converter. Like the Momento Zero, there is also the option to access the converter by unscrewing the end of the barrel only, so keeping your fingers away from the ink bottle. The downside is that you do not get the same instant visual confirmation that you have filled your pen.

The Leonardo screw-fit converter.

Nib and writing performance.

The steel fine nib works well, with a deliciously pencil-like feedback. The nib and feed are friction fit but very tight and I have not attempted to remove them since the fine nib was fitted for me when I bought the pen.

The Leonardo steel nib, in a Fine.

Size and weight.

The pen measures 145mm closed, 130mm open and 165mm if posted. The cap does post, quite deeply and securely and without upsetting balance, to make for a very comfortable unit if you do not mind the length.

Despite its large size, the pen weighs only 25g in all, of which 18g is the pen uncapped and 7g for the cap alone.

Likes and dislikes.

As pens go, this is a gorgeous specimen. Imagine seeing this in a tray of black pens: it would be hard not to pick it up. It has a host of nice attributes, such as the vibrant colour, attractive shape, chatoyance, comfortable grip and the smart, screw-fit converter, as well as being an enjoyable writer. On the down side, the translucence of the material does mean some discolouration at the section once the pen is inked. Also, personally, I am not so keen on the rolling wheel pocket clip feature, largely because I have seen other clips where the wheel has been lost, leaving an unsightly fork. But the wheel does help in sliding the clip over a pocket, if you want to carry the pen that way although I prefer to use a pen case.

Final thoughts.

Having reflected on my positive views on this pen, I am embarrassed to say that I have not made more use of the pen, in what is almost two years since I bought it. But in the pen’s defence I admit that this is not through any fault of the pen but rather its misfortune in landing in a household whose owner was already awash in good pens, competing for attention. And it is for this reason that I must get a grip on my appetite for shiny new pens and bring this one back into my rotation.

Did I mention that mine is No.001?

Early thoughts on the Duke 552 Bamboo fountain pen.

It is a tradition of mine at Christmas, to convince myself that I need no more fountain pens for a while. And it is also my custom, in about the second week of January, to cave in and buy my first new pen of the year.

A few weeks ago, I spotted this Duke Bamboo fountain pen, while surfing on the Amazon. I was intrigued by the photos in particular one showing a cross section through the Bamboo which is comprised of lots of tiny hollow tubes. The description stated that the entire barrel was made of a unique, high grade, Golden Stripe Bamboo, with a high sheen finish which was super durable.

However I was in my no-buy mode and was able to put it out of my mind. Until today that is, when Amazon sent me a message asking if I was still interested in this item and mentioned that if I ordered it within the next 1 hour and 48 minutes, it would be delivered free by 10pm today. I needed only the first two of those minutes.


It ships in a simple padded envelope, inside which is a little black velvety draw-string pouch, and the pen itself in a cellophane sleeve. There is no box.

Duke Bamboo fountain pen.

It is a good sized pen, about the same length as a Lamy Safari when uncapped but about a centimetre longer when capped. First impressions are very favourable. The Bamboo barrel is a beautiful stripy brown and is very smooth to the touch. It contrasts nicely with the black lacquered cap, like a black jacket with pinstripe trousers. The shiny silver coloured fittings look elegant. The barrel is flush with the cap meaning that there is a step which might be where you grip the pen.

The cap unscrews, in just over one full turn. The nib looks to be a size five which some might consider a bit small for a pen of this size, but this does not bother me. It has the name Duke and the Crown emblem and some decoration. The nib looked in good shape although lacking a tine gap at the tip.

The section is a rather unusual design, tapering with another step half way down. There appeared to be some white patches which I at first took to be glue residues and tried to scrape away, before realising that they are swirls of colour in the marbled plastic. They are described as blue and white pearlized inclusions.

“Mother of pearl” insert in the finial.


This is a cartridge-converter pen, taking standard international cartridges. A cartridge converter is included, with a metal coil ink agitator inside which is a nice touch. You can just hear it move when you turn the pen up and down.

Converter, with ink agitator. A good cure for ink starvation.

I enjoyed examining the pen and taking a few photos of it. I flushed the nib and feed and then filled it with Cult Pens Deep Dark Red to suit the Bamboo. The section only just fits through the narrow rim of my 30ml bottle.

Nib and writing performance.

The steel nib is a medium-fine. The first strokes were a bit disappointing: the nib wrote, with some pressure but was otherwise rather dry. I had already filled it and so was resigned to getting inky fingers in adjusting the nib but didn’t mind this, so long as it did not transfer to the barrel. I spent a merry half hour, employing a few different techniques to open up the tines just marginally, to increase flow. I used some brass shims first, then a blade and then finally tried very gently pressing and bouncing the nib tines against my thumb nail – all the time being careful not to overdo it. This had the desired effect in getting a nice easy wet flow and it then just remained to ensure that the tines were level once more.

Nib tweaking and testing.

Having a wetter nib is necessary for us lefty-overwriters and means that the pen lays down ink effortlessly, without downward pressure.

Size and weight.

This is a large pen, at 149mm capped and a comfortable 130mm uncapped. Posting is not needed but makes the pen 182mm long and back heavy. It weighs a decent 41g, around 23g uncapped and 18g for the cap alone.

Likes and dislikes.

Having thus tweaked the nib I can give a few first impressions:


  • Attractive and unusual Bamboo barrel;
  • Warm, natural, tactile satin finish;
  • Duke branded converter included, with an ink agitator;
  • Screw-on cap;
  • “Mother of pearl” effect insert in the finial;
  • Generous length and girth;
  • White plastic inner cap.


  • Rather lumpy step near to where I commonly grip the pen;
  • Pocket clip is extremely firm; better regarded as a roll stop;
  • Cap posts securely on the recessed area but pen becomes too long and back heavy.

I have not included in my dislikes, the need to fine-tune the nib as this was to make the pen write to my preferred wetness and is also an issue with pens across all price brackets.


I particularly like the Bamboo finish and the fact that it has a screw cap – so much nicer than a snap cap. Also the cap, barrel and section all seem to screw together firmly. I have not yet had the pen long enough to test for hard starts but I am hopeful that the presence of a plastic inner cap will mean that this is not an issue.

The Bamboo barrel is the star attraction.

The flush cap has resulted in a pronounced step down from the barrel ring to the cap threads, which I find less comfortable than a stepless pen but preferable to a pen that is too slippery to hold firmly.

It is very early days (or hours) to be giving a review but the pen seems very promising and I am happy so far to have added it to my accumulation. This is now my third model from Duke and all have been designs which are interesting and unusual.