This morning I made a list of the currently inked pens that I have at home, knowing that the result would be embarrassingly uniform. I arranged them in order of colour, making it even more apparent that of the 20 pens shown, 15 are inked with either blue or blue black.
For some months now, I have been juggling 20 inked pens on the go. This does not include a further two (both Cross Bailey Lights) which I keep at my office, since returning to work after lockdown, in July.
Twenty pens is a lot to use at any one time. I have tried to keep the number from growing any higher and have imposed a “one out one in” rule. But even so, assuming that the average cartridge or converter might manage around 20 pages of writing, (more if a piston filler), that is 400 pages of writing, sitting on the table. Pens are not running dry fast enough to keep the cups from becoming stale.
On one hand, I do enjoy having a lot of pens available simultaneously and I enjoy the variety that they offer. But on the other hand, part of me craves a simpler existence of running just one fountain pen (flashback to me aged 12…) and just filling it up, with the same ink usually, whenever it needed ink. It is possible to re-create this simplicity, temporarily, by getting away from the desk and going to write in a coffee shop taking just a single pen and notebook. Of course you cannot then enjoy the option of selecting any one or more of 20 pens from the pen cups as the fancy takes you, but you cannot have your cake and eat it.
But the bigger problem I see from my list is that 75% of the pens are inked with blue or blue black. No greens. No bright reds. No turquoise, or orange. This highlights the fact that the pens and their inks have each been selected individually without regard to the bigger picture of the pallette that is being created. Who of us, given an empty paint box, would set out to equip himself with 75% of the space given to blue and blue black?
When a pen runs dry, unless it is one of those to keep in circulation, I enjoy picking another pen to replace it. I generally pick the pen first and then decide which ink to use. Very rarely do I start with the ink and then decide which pen to put it in, except perhaps with iron gall ink.
There is always the option, to remove a bunch of pens and give them an early bath, to keep the pen cups fresh and varied but at the expense of jettisoning some good ink.
It is, after all just a hobby. The pen cups do not stand up to a lot of scrutiny. Why for example am I using a Waterman Allure when I have two empty Carenes at my disposal? Why not use only my best pens, all the time?
Perhaps by mixing in some entry level pens we appreciate the difference more when picking up the Montblanc.
There are no right and wrong answers. I am sure each one of us has his own principles and systems for managing the currently inked. But one simple lesson to take away, (for me at least) is not to loose sight of the bigger picture when filling the pen cups, to ensure you have more than just blue and blue black at hand.