On a day of beautiful autumn sunshine in September 2015, I went into central London to look in a few pen shops. I bought a bottle of Waterman Harmonious Green ink at Pen Friend in the Burlington Arcade, before going into Fortnum & Mason to visit their fountain pen department.
As I hovered over the displays, the sales assistant Robert asked “What’s caught your eye?” I had found the Faber-Castells and was rather taken with the striking looks of the E-motion, with its combination of natural wood and shiny metal. A delivery had just come in and he went to find one in the dark Pearwood finish. I preferred this to the lighter brown version or the all black “stealth” model. After trying the pen on a pad of Graf von Faber-Castell paper, I bought one. It was rather an impulsive buy and at £87.99 was one of the more expensive pens that I had bought.
I was delighted with my choice. Before leaving the shop, with my pen and a much appreciated complimentary Graf von Faber-Castell note pad, in a distinctive Fortnum and Mason carrier bag, I went to ink the pen with my new Harmonious Green, then went to the Royal Academy across the road, to try it out.
In the years that followed, it has been a pen for which I have mixed emotions. I have bought four more Faber-Castell fountain pens (an Ambition, two school pens and a Loom) and have always found their stainless steel nibs, even on the entry-level school pens, to be very pleasing. The Ambition, E-motion and Loom share the same nib unit. Today I will look back at the E-motion, my first foray into Faber-Castell fountain pens.
Construction and Appearance
This is a metal pen, rather short and tapering at each end, with a large, heavy, shiny polished metal cap. There is a smooth, curved pocket clip, which is sprung and can be operated one-handed. The cap is tastefully embellished with the Faber-Castell name and logo and the words “since 1761”.
Removing the screw cap, in two short twists, you have the nib and section in shiny steel. There is also a tapered finial (perhaps nugget or lump of metal would be a better description) in shiny polished steel at the end of the barrel. The main part of the barrel is very attractively finished with a layer of dark brown Pearwood, with its beautiful, natural dark wood grain and patina. There is no discernible join around the wood and so I suppose it to be a carefully drilled tube of wood, slid over the metal barrel, before the end finial is put in place. Correct me if I am wrong.
The barrel unscrews to reveal metal threads on both the section and inside of the barrel. Everything fits together very well and gives an impression of sturdiness and good quality. A converter was included with my pen but it also takes standard international cartridges.
This is stainless steel, in an attractive shape and finish. There is no breather hole, but the nib features a pattern of dimples, which are subtle yet catch the light sometimes in a most pleasing way. My nib is a medium, but writes on the fine side of medium, which suits me. I later discovered that the nib and feed unit can be easily unscrewed from the section and that the nibs are interchangeable with those of the Ambition or Loom.
Dimensions and weights
Length closed: 138mm
Length opened: 117mm
Length posted: 148mm
Weight capped or posted: 53g
Weight uncapped: 31g
Weight of cap: 22g.
Handling and performance
The pen writes very well. The tines were level, the tipping material was symmetrical, and the ink flow on all the papers I tried, was just right, neither too dry nor too wet. The nib gives a smooth writing experience, but not overly so; there is enough tooth for the pen to cope with smoother paper and to give a pleasant degree of feedback. Of all the stainless steel nibs that I have used, I would say that these have been consistently among the best. It also provides good “cap-off” time, remaining ready to write even if the pen is left uncapped for a few minutes.
On the downside, for my hands, the pen is just too short to use comfortably unposted. If I were to use it unposted, I would try to grip it low down around the section, but this does not work for me because the shiny metal section is slippery to hold and cannot be gripped steadily.
The cap can be posted (although it needs a hard push and a twist – with a worry of cracking the inner cap or marking the lovely wood covered barrel) and whilst this solves the length problem, this makes for a very heavy pen. You are carrying the full 53 grams as you write.
I do like to be flexible and accommodating to my pens, to allow for their idiosyncrasies and to celebrate their diversity. In the case of the E-motion, I found that the best way to use it was to post a light weight cap from another pen. This means the pen is probably confined to home use, but I have used this method to good effect on at least three pens now (the E-motion, the Faber-Castell Ambition and the Bic Easy-Click). You might have to rummage around to find the best match of size, weight (and even colour if you are lucky) and try several tops before you find the best fit.
It is a good idea to keep some pen tops when roller balls or marker pens such as the Sharpie run out, for this very reason. For the E-motion or the Bic Easy-Click, the Lamy Safari caps work well. For the Faber-Castell Ambition, I use a Sharpie cap. Obviously it looks unfashionable and eccentric, but it is better than leaving the pen unfilled and unfulfilled.
I find that when I post a Safari cap on the E-motion, I naturally grip the pen higher up and around the warm wooden barrel with only my second finger used as a rest for the metal section. Consequently there is no issue of the section being slippery to hold. And the pen is not too heavy or too short, although still on the heavy side. Length with a Safari cap posted is a comfortable 152mm and the Safari cap weighs just 8.5g as opposed to the E-motion’s hefty 22g.
So this, for me, was the way to deal with my E-motions. YMMV. It is an attractive and good quality pen and it is worth persevering to make use of the excellent nib.