Cleo Skribent is a German manufacturer of writing instruments, based at Bad Wilsnack, which is between Berlin and Hamburg. It was founded immediately after the Second World War, from small beginnings in a backyard car park. The first collection of writing instruments was called Cleopatra, which later became Cleo. Today, it is one of the few remaining companies to manufacture exclusively in Germany.
Readers of this blog may recall my review in February 2017 of the Cleo Skribent Classic Metal piston fountain pen, (click here: Cleo Skribent Classic Metal Piston fountain pen) a sleek, black resin pen with a brushed metal cap and a stainless steel nib. My fine nib model continues to be a delight.
So, what do you do when you find a pen that is near perfect for you? Do you stop looking for pens? No, it turns out you buy another one the same. Well, not quite the same. The differences (a.k.a. justifications) this time are (1) that it has a 14k gold nib; (2) the nib is a Medium; (3) it is all black resin, with gold coloured fittings and (4) lighter than the metal cap version. So, totally different. Yet retaining the design and feel which I loved in the metal cap version.
Once again I bought through Cult Pens, one of the handful of UK dealers of Cleo Skribent instruments. The company is much less well known here than Mont Blanc, Pelikan, Lamy or Faber Castell, but prides itself in making high quality writing instruments, with emphasis on quality rather than quantity and (as their booklet says) “instead of fully automatic machines, we employ people who understand their craft.”
Cult Pens refers to this model as being astonishingly light, for fatigue-free writing and ease of handling. Newly filled with ink, mine weighs around 19g capped, or 12g uncapped. It measures 145mm capped or 135mm uncapped, which I have found to be a comfortable length to use un-posted. However, you could post the resin cap, quite deeply and securely to add some weight without making the pen back heavy, but just bear in mind that it grips on the blind cap (not the barrel) and so be careful not to rotate the cap whilst posted in case you over-tighten and damage the blind cap.
The body and cap are of a beautiful, glossy black resin. I opted for the version with gold coloured fittings. There is also a version with palladium fittings which costs less, (why, I do not know, as the pen is otherwise identical, with both having a 14k gold nib). I am not particularly averse to mixing my metals, when it comes to pen finishes. It is purely cosmetic, I know, but on this occasion, I decided on the gold coloured furniture as being indicative of the gold nib within.
The nib is the heart of a pen. I have been delighted with the Fine stainless steel nib in my metal capped version, which is superbly set up, being responsive to the slightest touch and having a marvelous feed back. A joy to use.
I had read in reviews that their gold nibs were even better, with some flex. So when mine arrived, I was eager to examine it and give it a try. First, under the x7 loupe, the gold nib had everything that you look and hope for in a new nib. It looked to be set up perfectly, with the nib slit narrowing just so, the tipping material being even and the tines level. Admittedly I have only two Cleo Skribent pens to go on, but I believe the brochure and can imagine that they take care in sending out well finished products, which as we know, is not always the case these days.
Whilst waiting for the pen to arrive (which was not very long, less than 24 hours) I enjoyed pondering what ink to use. I tend to use blues mostly for work. I love to see the blue ink on scanned signed documents on my computer screen. I narrowed it down to Waterman Serenity Blue, Caran d’Ache Idyllic Blue or Aurora Blue and went for the latter.
At first, dipping the pen, the writing experience was so smooth and pleasant and so pleased was I at the Medium nib width for this gold nib, that I happily continued writing for a full page on the first dip. I then inked it properly with the piston filler, one of life’s simple pleasures. I was using a spiral-bound pad of smooth, white, lined paper from Cherry Press, an independent stationer and print shop in Chipping Campden, in the Cotswolds. This showed off the blue ink beautifully. The ink flow, on this paper, is pretty much ideal being neither too wet nor too dry. The nib does have a little bit of flex, to allow for some line variation but it is certainly not too soft. As a left hander, I fare better with a firm nib.
To summarise what I like about this pen (at the risk of sounding too gushing):-
- Attractive, long and sleek design;
- Handsome, glossy black resin body;
- Piston filler, with blind cap covering the turning knob;
- Large clear ink window;
- Large ink capacity;
- Superb 14k gold nib;
- “Reverse writing” also smooth, for extra fine writing or drawing;
- Nib and feed are friction fit and can be removed if desired for cleaning;
- Comfortable length to use unposted (but can post cap if desired);
- Good value for a high quality pen, in comparison with well-known German brands;
- Lifetime warranty.
What about dislikes? Well, I have not found any major failings. Rather, I would mention the following points:-
- Remember that this is a screw-cap pen; do not forget (as I did at first) and try to pull the cap off or hand it to someone who might do so, as this will exert force on the glued joints around the clear ink window. (The cap threads are located on the nib-side of the ink window);
- Be careful not to inadvertently over-tighten the blind cap by posting the cap and then rotating it;
- The piston mechanism works well but feels less smooth in operation than my Pelikans; it is too soon to say how this will perform in the long term, but there is a lifetime warranty;
- The glossy black body does show up dust, as I have tried to demonstrate on my photos 🙂
Although I have no affiliation with Cleo Skribent, or Cult Pens, I am pleased to recommend them both.