Today was Day 6 of my ownership of the Platinum Curidas, as discussed in my previous post.
I have been using the pen with the metal pocket clip removed, which improved comfort but I was still irritated by the protrusion on the top of the pen, where the clip had been. For a lefty overwriter, this bump sits just where I want to place my thumb when I grip the pen. I have been deliberating on whether to try to remove it, but was worried about the risk of cracking the pen in the process.
Apart from this issue, the pen is great. I appreciate that it will not be everyone’s cup of tea. FPNers were critical of the overly long push button (some call it a knock) to operate the pen, which is odd-looking when the nib is retracted. However this is a necessary consequence of the nib mechanism having such a long travel and the button all but disappears when the pen is in writing mode.
This morning I sat down to write a letter with it. Honestly, the writing experience of the smooth medium nib, with Platinum Blue Black ink on Basildon Bond writing paper, was joyous. If only the bump could be removed!
Over the past few days I have been pondering on how to file acrylic safely. I watched a few videos on YouTube and even popped into a nail bar today to get some tips from those who work on acrylic nails.
Fortune favours the brave. I finally decided to have a go. I applied masking tape around the four sides of the bump, just leaving the bump exposed and then very carefully applied a few strokes of a file, which came in a craft kit with various grades of micro-mesh. I started filing the top, with very light pressure and going in one direction only, not backwards and forwards.
After the first few strokes, the top of the bump was scuffed and no longer shiny. There was no turning back now. White powder deposits on my file told me that it was working.
Every 10 minutes or so I stopped to unmask the pen and examine my handiwork with a loupe. I was encouraged that there was no evidence of cracking and that the masking tape was doing a good job of protecting the surrounding area. Towards the end I switched to a finer grade of file.
Eventually, having almost reduced the bump to the level of the barrel, I stopped. I decided not to remove any more material, for fear of scuffing the glossy barrel. Also it was quite nice to leave a very slight prominence, for texture to help in gripping the pen.
The whole exercise took about 45 minutes. I am very happy with the result. I am now going to enjoy the pen even more.
Last week I spent a most delightful evening at Choosing Keeping, a lovely stationery shop in London’s Covent Garden. They were hosting an event to launch Platinum’s new retractable nib fountain pen, the Curidas. It was also a celebration of the Platinum pen company, attended by senior representatives of the company over from Japan and with a display of rarely seen fountain pens from the company’s 100 year history.
The new Curidas was on display, in each of the five colours (red, blue, green, smoky grey and clear). Also there were test pens on the counter to try out, in both the fine and medium nib options.
The Curidas is a fountain pen with a retractable nib operated by pressing the button that extends from the end of the barrel. Press once and the nib pops out through a trap door, with a satisfying click. Press again and the nib retreats and the door closes, to seal off the nib and keep it from drying out.
At first glance it is similar to Pilot’s Vanishing Point or Capless fountain pen, except that the Curidas is made of plastic and has a stainless steel nib. Also, the steel pocket clip is removable.
Disassembly and filling the pen.
As fountain pens go, this is a fun mechanism to play with and a very clever design. To fill the pen, you first unscrew and remove the barrel. Next you withdraw the entire nib, feed and ink housing. Simply push it inwards and then twist (like unscrewing a light bulb) and out it comes in one piece. Next you do a similar twist and pull operation, to remove the ink reservoir cover from the nib and feed unit.
Next you can attach either a Platinum ink cartridge to the feed, or a Platinum converter, before putting back the shiny chrome cover, inserting the whole unit back into the pen and screwing the barrel back on. It is easier than it sounds.
The pen is available with choice of medium or fine steel nib. I tried the fine nib first on the test pen and was immediately struck by how beautifully smooth and precise it was. I wanted to go on and on writing with it! I then tried the medium which was slightly broader but still on the fine side. The Curidas fine and medium nib options could perhaps be said to equate to a western extra fine and fine, or leaning towards it. After trying both, I decided to buy the pen, in blue, with the medium nib.
The nib is small and some might say, too small for the large pen. However, it is necessary to remember the practicalities of designing a nib that will retract into a pen barrel of this size.
The writing experience.
The medium nib on my model proved to be superb. Examined under a loupe, the tines were even and symmetrical and there was a slight gap between the tines. This is how I Iike them for good flow, with smooth, well lubricated writing with no downward pressure required. This suits my lefty over-writer style of writing.
At home, I loaded the supplied Platinum Blue Black cartridge. I clicked open the nib and was delighted that the pen wrote immediately from the first touch of nib to paper.
I was also thrilled with the Platinum Blue Black ink. The special promotion included a pack of 10 of these superb cartridges. The box features a picture of Mt Fuji and and states that the ink contains 5% natural water sourced from the base of Mt Fuji. The ink is a lovely shade of blue and water resistant. There is also a metal agitator ball.
I was very happy with the nib and the ink. However in terms of comfort there are a couple of potential issues to be aware of. First on the underside of the barrel, there is a rounded protrusion which accommodates part of the nib’s trap door when opened. It is quite far forward on the underside of the barrel but you may still find your second finger rubbing against this as you grip the pen if you hold the pen low, towards the nib
But the bigger problem for me, was the metal pocket clip. This is aligned with the nib and so if you hold the pen with finger and thumb symetrically placed, either side of the 12 o’clock point then the clip may not be in your way. But if like me, you rotate the nib slightly inwards, the pocket clip may then fall directly below your thumb which is not very comfortable.
The good news is that the metal pocket clip can be removed. A plastic tool for this purposes is included in the box. It works by being placed around the underside of the barrel and then being pushed inwards so that the chamfered edges slide under the metal clip and lift it off the raised locating pegs. In theory, you then slide the clip along and off the pen. In practice I found this very fiddly and awkward and I spent a frustrating few minutes pushing and shoving whilst worrying that something might break. I did eventually get the clip off but need to spend a bit more time practising the technique.
The bad news is that even with the pocket clip removed, there is still the issue of a plastic nodule protruding at the top of the barrel, which is to keep the clip in place.
At the moment, I am using the pen with the clip removed and waiting to see whether my grip adapts to this protrusion in time. Alternatively, I will have to think how I might remove it safely without risk of cracking the barrel and ruining the pen. But I do wish it was not there. For me the pen would be so much more comfortable without it: just try holding the pen by the opposite end of the barrel, to see how it would feel.
Weights and measurements.
The pen with a cartridge weighs about 26.5g of which about 2g is the pocket clip. Lengthwise, it is about 154mm closed but reduces to about 142mm when the nib is extended when most of the button retreats into the barrel. The girth of the barrel is roughly 13mm in diameter.
Likes and dislikes.
There is a lot to be said in favour of this new pen. The generous length, girth and weight are pleasing. The nib (on my model and the two test pens that I tried) is a delight and writes beautifully. The mechanism to extend and retract the nib is a marvellous design, save perhaps for the need to have a lump on the barrel for part of the trap door mechanism to go into. This does serve as a roll stop, if you have removed the pocket clip.
The pen seems very well made and comes in a range of attractive semi transparent colours and a clear demonstrator version. It has a good ink capacity: the Platinum cartridges hold 1.2ml and there is the converter option too (although sold separately). The cartridge or converter metal housing has cutaways to serve as an ink window.
On the down side, my only real complaint is the lumps and bumps on the barrel where you want to grip. It is a big help that you have the option of removing the clip. I found this a rather awkward operation and was disappointed that even with the clip removed, there is a still a plastic protrusion at the top of the barrel just where I would like to rest my thumb. There are a couple of other tiny locating bumps for the clip too but these are far enough out of the way not to be a problem.
It is a pity to have a dilemma of whether and how to file off a protruding piece of the pen barrel, to make the pen comfortable to hold. But perhaps this is just me because of my unusual way of holding the pen. I know that many people use the Pilot Vanishing Point or Lamy Dialog without such issues.
On balance, I found the positive points about this pen more than made up for the negatives. Admittedly it is only a few days old and still well within the new pen honeymoon period but I know I am going to like it.
The retractable nib and single-handed operation make this an ideal pen for quick notes while out and about, such as in a theatre or while standing without a place to put your pen cap. Ironically, these situations are also when a pocket clip is useful to carry the pen in a jacket pocket. If you have removed the clip to make the pen comfortable and then carry the pen in a pen case or sleeve, it rather defeats the object of being quick and easy. You cannot remove the pen from a pen case single handed and you will still need to find somewhere to put the pen case down while you write.
Perhaps I am in the minority here with my unusual grip style. The retractable nib is fun and a novelty. Above all, the pen writes superbly and so I will find a way to make it work for me. I am sure that it will prove to be a great success.
I am pushing out this “first impressions” review with unseemly haste, as the pen has been with me for only half a day. However I saw that there had been some speculation and eager anticipation on Fountain Pen Network about this new model, although the thread Platinum Procyon New Modeldigresses into discussions of Platinum nibs generally and people’s differing experiences with the gold nib of the Platinum 3776.
I first learned of the Procyon while browsing on Cult Pens’ web site a few nights ago and was intrigued by the promotional video, showing the pen sucking up the last drops from an ink bottle, by means of the newly designed feed. And how nice to have a promotional video at all! The pen also benefits from Platinum’s slip and seal inner cap, which supposedly prevents ink drying out for up to 2 years. Also it boasts a steel nib offering flexible writing like a gold nib. With Cult Pens currently offering 10% off, and a free Platinum Preppy thrown in, it seemed worth a go.
The pen arrived in a plain black cardboard box and separate lid, with a foam insert, and protected by a cardboard outer sleeve. The pen was in a polythene sheath. Also in the box were a sample set of three Platinum coloured ink cartridges, in Gold Ochre, Aqua Emerald and Dark Violet, plus one blue one and a fold out Instruction Manual. The box seems perfectly sensible and proportionate at this price point.
Construction and appearance.
The Procyon, or PNS 5000 as it is also called, is an aluminium pen, feeling solid but not overly heavy. The finish is matte, not glossy and feels pleasantly smooth and yet is not slippery. It has a screw cap (which is to be applauded) and despite the rather large area of screw threads on the section, the cap is removed in less than one full turn.
It is available in a choice of five colours. I chose Citron Yellow but the others are Deep Sea, Porcelain White, Turquoise Blue and Persimmon Orange.
The metal pocket clip is springy and moderately firm, and quite easy to use albeit not giving great security. There is a shiny cap ring, which is not sharp to the touch and the cap has the name PROCYON on the front, below the clip and PLATINUM, MADE IN JAPAN on the reverse.
The cap closes to be almost flush with the barrel, but is just slightly wider. This is achieved by having a small step down from barrel to section and to the shiny plated cap threads. The step and the threads are a bit sharp and uncomfortable and so you will probably want to find a grip which is either above or below the threads. Personally, I like to post the pen and hold it higher up so that my thumb is on the barrel. It is therefore important for me that the barrel material is not slippery (which this is not) in order to be able to anchor the pen with my thumb and keep the pen at the same angle.
The section is of a smokey grey translucent plastic, with a small lip at the nib end.
Unscrewing the barrel, with durable metal threads on both barrel and section, there is a generously long housing for the cartridge or else for a Platinum converter (not included but £4.99 from Cult Pens).
The cap can be posted, deeply and securely and being aluminium does not upset the balance.
Nib and Feed.
At first glance, the nib looks rather like those on the Lamy Safari and AL-Star. I chose a Medium. It does offer a little bit of flex but this is not very pronounced and it is not what I would describe as a flex nib. It does however have a pleasing softness or bounce, whereas Lamy steel nibs tend to be on the firm side. There is no breather hole on the nib, which features just the P for Platinum and M for medium.
The black plastic feed does not have any fins but does have a noticeable inlet, about half way up the nib. This is the breather hole which is also used to fill the pen from a bottle and so the nib needs only to be dipped in the ink sufficiently to cover the hole. This means less mess when filling and also that you can still fill the pen when the bottle has only a puddle of ink left, by tilting the bottle and positioning the feed in the ink, as in the promotional video.
I first tried the nib dipped in Pelikan Edelstein Smoky Quartz and was immediately impressed with its smoothness, good flow and some pleasant shading. For those who worried that the nib might be scratchy or dry I can say that my nib wrote smoothly and well, straight out of the box, with no skipping and was adequately wet. Of course I have only this one pen to go on and YMMV.
After trying the pen for a while on one dip of ink, I inserted one of the three coloured cartridges and went for the Gold Ochre, which is a nice autumnal dark orange.
This is a cartridge-converter pen, taking either Platinum’s proprietary cartridges or else the Platinum converter. It is slightly disappointing that a converter is not included at this price, particular as the ability to draw up the last dregs from a bottle is a feature of this pen. I do already have a converter from my Platinum Century 3776, which I might put to use once I have used up the cartridges. Another option is to recycle the old cartridges and syringe-fill them with ink of your choice.
Sizes and weights.
Closed, the pen is reasonably large and at 140mm is about the same length as a Lamy Studio and a bit wider. However, uncapped it is a bit on the short side at 118mm but posts well, to give a length of 155mm. It weighs 24g, which is quite a nice happy medium, neither too heavy nor too light.
Likes and dislikes.
It is exciting to try a completely new design, from a respected and long-established Japanese pen maker. With the proviso that my pen is only hours old, I venture the following:
The uncomfortable step and threads, which mean that you may want to adjust your grip to work around these;
I am still coming to terms with the colour I chose, which is a sort of pastel lemon, giving the impression of an old and rather faded hi-viz jacket, but it is unusual and distinctive.
Smooth and effortless writing;
Comfortable weight and balance;
That feed! I am looking forward to experimenting with near empty ink bottles.
It is early days but overall I am pleased with the pen, particularly how nicely it writes. Having a screw cap and a slightly softer nib plus the innovative feed feature lift it above the Lamy AL-Star, although it costs about twice as much as an AL-Star in the UK. It represents a step up from the entry level pens and a welcome change from the usual offerings of the big brands here. As to value, it is priced a little higher than a Cross Bailey or Parker Urban, which are metal and lacquer steel nib pens. For the writing experience that I have seen so far, (and my nib was perfect, out of the box) I think it is a good new option.