This pen has been in my thoughts a lot in its first week with me. Here is the story so far.
The decision to buy.
There were several factors that prompted me to shell out on another Aurora fountain pen, overcoming the voice of reason that tells me that I am very contented with the pens I own and do not need any more. The main ones were:
- I enjoy my Aurora Optima with Oblique Broad nib and was curious to try to an Oblique Medium;
- The Talentum features the same gold nib and ebonite feed units as the Aurora 88 or Optima, but in a less costly body and with a cartridge converter system instead of a piston, making it good value. The price compares favourably to some other large pens which cost significantly more but do not come with a gold nib.
- I was attracted to the bold yellow body, like a classic Parker Duofold in Mandarin Yellow from the 1920’s. Or at least, an upgrade from my favourite colour Lamy Safari.
- The prices on Iguanasell seemed favourable and I had ordered through them for two previous Auroras.
The package arrived very swiftly and conveniently via FedEx, at 08.15am before I had left for work. It arrived in the same large presentation box as the 88 or the Optima, which surprised me given that it is a much less costly pen. There is a shiny black, lidded carboard box with a fold down front flap. Inside this is the gift box, which may be of wood, covered with a black faux-leather material and with the Aurora name and logo on the top. There is a padded black tray for the pen, which can be lifted out to reveal the Instruction manual and a box containing two cartridges. The converter was already in the pen. It is a special box to have but once you have bought too many pens, such boxes become a bit of a storage problem and I would be quite happy to dispense with this packaging.
Obviously the first thing you notice is that the pen is very yellow! The chrome trims on the clip, cap finial and end of the barrel look good against the yellow. The fit and finish are all very impressive.
The Oblique Medium nib.
I was keen to see how this compared to my Oblique Broad on my red Optima. The answer is, that the difference is very small. I placed the two oblique nibs up against each other and whilst the OM was a tad narrower, there was not much in it. Perhaps I should have chosen the Oblique Fine instead.
I then tried dipping the pen. I noticed a little bit of “railroading” where you have two lines with a gap in between. I thought perhaps, on examining the nib’s writing edge, there might be a very slight prominence at one end as the edge looked to be very slightly crescent-shaped, like a gently curved bay, rather than an exactly straight edge. However, it really was so slight that I thought it would wear in with normal use and I decided against smoothing it.
However, a bigger issue, once I had filled the pen for the first time, was that it seemed to skip or hard start, and quite a lot. Under the loupe, the nib looked right, with a visible tine gap until coming together at the tip. I deduced that the tines were perhaps a little two tightly together and in need of spreading a little, to increase the ink flow. Then again, it could have been a problem of air not getting up to the ink reservoir, rather than ink not getting down.
I wrote for several pages of A4, and at each hard start, I would draw some capital O’s. Looking back on these pages now, these O’s were occurring after every three or four lines. I also noticed that if I kept writing without a pause, the pen would keep up but if I held the nib poised in mid-air for more than 5 seconds, it would hard start on me.
My first fill had been with Waterman Absolute Brown. I then switched to my familiar Conway Stewart Tavy, by Diamine, which is a blue black that flows well. I tried again for several pages, and on different types of paper. There were still lots of frustrating skips.
A few days into my new pen, a difficult decision had to be made, of whether to try to return it or else to take the plunge, and try to rectify it myself – knowing that this may or may not succeed and that it would then be past the point of no return.
The way I write.
To be fair, I am left handed and generally use an “overwriter” style, with my hand above the line I am writing on and the nib pointing towards me. Instead of hooking my wrist, I rotate the paper 90 degrees to the left, keeping my wrist straight. In writing in this way, I use a very light touch on the nib and cannot apply pressure while the nib is pushing forwards, rather than doing downstrokes. So I need a pen with a generous ink flow, to keep the nib lubricated and the writing from being too pale.
I do also sometimes use an “underwriter” style, with my left arm tucked into my side and the nib pointing away from me, in a more “normal” fashion and immediately notice how much smoother and wetter pens are for the lucky people who write in this way!
I recalled how in the past, I had managed to transform the nib on my Aurora 88 by opening up the tines very slightly, with brass shims and the blade of a craft knife. Sometimes you can manage to remedy a nib problem in a few minutes. I therefore resolved to have a session on the Talentum and to try to increase the flow and hopefully reduce the skips and hard starts.
With a few tentative goes at this, I was able to ease the tine gap a little and to feel the brass shims moving more loosely between the tines. I stopped frequently to examine the nib under the loupe and was careful not to overdo things. I had bought the Talentum to compare the slightly narrower OM line to my existing OB nib, and so it would defeat the object if I simply made the nib broader – or worse still, ruined it and stopped it from writing at all.
I also changed the ink again, this time to Montblanc Royal Blue, a good rich blue which lubricates well.
The good news, is that by day 5 of my ownership, I was writing happily with the pen. I filled a page of an A5 journal without drama. I liked the line from the pen very much, being crisp and with pronounced line width variation between cross strokes and forward strokes.
In the course of all this, I was also reading blogs and threads on Fountain Pen Network. I came across a thread about Aurora nibs where I learned that ebonite feeds do take a few days to absorb ink. My understanding is that ebonite, a vulcanized rubber, partly absorbs some ink which helps ink to flow through the nib. Perhaps my repeated flushing and ink changing had hindered this absorption process.
I was also reminded by reading a recent post from Gary, on the Scribo Write Here Tropea with 1.4mm stub nib, that you do need to write slower with a stub nib and not expect skip-free performance if writing at a fast pace. Also, this being an oblique nib, it does take some careful positioning to hold the pen at the “sweet spot” for best writing performance. Finding this takes a bit of practice until it is familiar. The moral of this “tale of the Talentum” is not to be too hasty to adjust a nib before spending ample time to allow the nib to settle down and to get used to writing with it.
Size and weight.
The Talentum is big pen, by usual standards. It measures around 135mm capped, 132mm uncapped, which is long enough to use comfortably without posting, or 160mm if you do want to post it. The weight is substantial without being burdensome, at 30.5g with ink and converter, or 20g uncapped in writing mode. The cap alone weights around 11g.
I have been interested in the Talentum for a few years now. My Aurora 88 and Aurora Optima are among my favourite special pens and so it was probably inevitable that I would succumb to the temptation to add a Talentum at some point. I had great service from Iguanasell and did not trouble them to seek a return of the pen. A little nib adjustment, although risky, has improved its performance for my style of writing. I like the effect on my handwriting.
This week has been special too, in celebrating the Queen’s Platinum Jubilee, marking 70 years’ reign since 1952. And in a less publicised milestone, this post is my 200th since starting this blog in 2016. Thank you for still reading.