One of my lucky finds at the recent Cambridge pen show was this lovely Parker Junior Duofold, in dark green with gold fittings.
The pen is lovely in its own right, but had a particular attraction for me, being a close match to the pen that my mother bought for me in 1970 on the occasion of going to a new school. Sadly and inevitably, I managed to lose it within a few weeks and for the next seven school years, used a succession of less valuable Parker fountain pens.
The pen has a classic, timeless look, in British Racing Green resin (think of a 1920’s Bentley at Le Mans), with a 14k gold nib, which looks like a Broad but has no width description showing, and a simple, fixed aerometric type squeeze bar filler. It has a screw cap, a shortish gold coloured arrow clip and a single gold coloured cap band with some engraved pattern but no text. The cap has two small drilled air holes in the sides which I presume are to avoid air pressure building in the cap. It is not a particularly big pen, by today’s standards but forms a generous length when posted and is smooth, light and comfortable to hold. The nib reads “PARKER, 14K, ENGLAND, 10”.
The pen measures 135mm long capped, 120mm open, or 160mm posted. It weighs just 15.5g closed or posted. Uncapped it is 10.5g and the cap alone weighs 5.0g.
Buying a vintage fountain pen can be a bit daunting. At a pen show, tables filled with row upon row of vintage pens can seem rather overwhelming unless you are looking specifically for something. There is the worry (assuming that you are buying a pen to use) of whether the nib writes well, whether the filling mechanism is still working and (unless you have researched any given model before hand) whether the price is right.
Being at least slightly prepared, I had a magnifying glass with me and was able to have a look at the nib and the tipping material, which looked to be in great shape. I also looked at the barrel and there found the very faint imprint, barely visible to the naked eye, “PARKER, JUNIOR DUOFOLD, MADE IN ENGLAND”. That clinched it.
I have heard it said that the Parker aerometric sacs rarely have anything wrong with them. You can test them by removing the cap and barrel, putting the nib to your ear and giving the squeeze bar a press, to feel a small puff of air, assuming that it is not inked, of course.
At home, I flushed the pen in clean water a few times. I was pleased to see that the sac filled easily with a few presses.
The writing experience
I filled the pen with Parker Quink, Blue-black, a rather obvious choice, I know. The glass bottles with their chunky plastic caps and 57ml of inky goodness, seem not to have changed much (if at all) since I was a child, except that they are now sold in ugly blister packs instead of carboard boxes.
To my great pleasure and delight, this little pen wrote like a dream. It has a lot of what fountain pen enthusiasts crave, namely a buttery smooth nib, ideal ink flow, a little softness to the nib giving beautiful shading, comfortable handling, reliability and a bit of historical interest too.
A bit of Keats. Beautiful shading with Parker Quink Blue Black on Tomoe River paper. [should read “but still will keep”, not “with”, demonstrating that errors are only visible after publication].
In fact, looking across at my (ahem) 18 other currently inked pens, I could almost convince myself to put all the others away and just enjoy the Parker with its bottle of Quink. That is all I need, really.
I did not know very much about this range before buying one. Reading up afterwards on FPN, in a post by Malcy, I learned that Parker Duofolds of the 1950’s came in a range of models, with a corresponding number on the nib as follows:-
- Lady (4)
- Slimfold (5)
- Junior (10)
- Demi (15)
- Standard (25)
- Senior (35)
- Maxima (50)
Armed with this information I am interested now to handle some of the others in the range. It is nice to have something specific in mind to hunt for next time a pen show comes to town. Parker Duofold pens have been made for a long time and I feel that I have a lot more to learn.
Last Saturday I had another browse in the sumptious fountain pen department at Selfridges in Oxford Street. (No, I managed to resist buying anything this time). I did linger in front of the current Parker Duofold, International, Big Red in a glass display case, but at £500.00 it is a lot of money. Happily, my vintage Junior Duofold cost me only £50.00 which seems a small price to pay for the pleasure it gives and for entry to the Duofold owners’ club.