Travelling with ink: Iceland, June 2025.

It has been holiday time again. We have recently returned from a two week cruise on Cunard’s Queen Anne which included four days in Iceland. Departing from Southampton, we also stopped in Belfast on the way north. On the return leg, we spent a day in Stornoway in the Outer Hebrides and a day in Greenock, on the Clyde near Glasgow.

Queen Anne.

As ever, a vacation signals to me some journaling time with pen and ink. Although luggage limitations are less of a constraint on a cruise, I still wished to keep things simple. I decided on a select few fountain pens, namely my new Ashera Aeon, a vintage Parker Senior Duofold and lastly a TWSBI eco-T, in saffron yellow (holiday colours) with an extra fine nib. My thinking was that I would fill the TWSBI to use if the other pens ran dry, and avoid the need to bring a bottle of ink. As usual my journal-of-choice for travelling was a Leuchtturm A5 hardback.

One of the gala-nights on board.

Our cabin included a small desk next to the balcony, but in reality it was a dressing table and the stool was too low for writing. The balcony was equipped with two seats and a small table. The hardback notebook works well resting on a knee, but I found the sea-scape more interesting than my journal and seldom managed more than a few lines outdoors.

Fortunately there is no shortage of comfortable seating around the ship, in the lounges, buffet-restaurants and in areas such as Library and the Chart Room. In the latter, I found some desks equipped with a seal, to stamp an image of our ship and her name onto paper, albeit without the luxury of melted wax.

Nothing says “holiday” like a saffron TWSBI.

It has become a custom of mine, or perhaps an unhealthy obsession to look for fountain pen shops whilst abroad, in the vain hope of coming across a delightful and friendly shop with some exquisite, unusual and attractively-priced fountain pens as possible souvenirs of my travels. Whilst this has succeeded on some occasions (such as Porto, or Bruges), this was not to be one of those trips. In fact I barely found anything with a nib, the whole time. Don’t get me wrong; this is probably not a bad thing as my magpie tendencies to acquire fountain pens are not sustainable.

We had favourable weather for almost all our trip. The one exception was whilst in Northern Ireland, where we had time for an excursion to the coast to see The Giant’s Causeway, the spectacular basalt rock columns and a World Heritage Site. Here we encountered a very heavy downpour.

Trying to keep up with Ling at the Giant’s Causeway.

I had been excited to visit Iceland again. I holidayed there in 2008 visiting several areas of spectacular and varied volcanic landscape along the south coast, but this time, we were to have two days in Reyjavik and a day each in the northern fjiord ports of Isafjordur and Akureyri.

Reykjavik was very much just as I remembered it from 17 years earlier. We found our old hotel, Hotel Leifur Eriksson, opposite the landmark cathedral, Hallgrimskirkja with its 73 metre tower, perched like a space shuttle against the sky.

Once again I browsed in a book shop, Eymundsson (since 1872). In 2008, I had bought a copy of “The Sagas of Icelanders” published by Penguin Classics. I was surprised to see that there was again a tall pile of these same books on a table, just as there had been when I was here last. It was as if time had stood still.

Still promoting The Sagas of Icelanders.

It was here that I ventured downstairs to the stationery section, hunting for fountain pens. I found only a few Pelikan Jazz pens and was content to leave these alone. Had we been shopping rather than sight-seeing, there were plenty of examples of Icelandic wool pullovers and hats for sale in the city. I also found a lovely watch shop on the main street, named GullBudin, which had a good selection of Orient watches in particular.

Our next port of call was Isafjordur. Here, even our ship was dwarfed by the hills of the fjiord, their peaks hidden in cloud. We had a morning excursion to visit a waterfall and an afternoon free to explore the small town. Here, we came across an elegant white building now described as a culture house. It was formerly a hospital and still contained exhibits of beds and equipment and old black and white photographs of nurses and staff.

Culture House, (a former hospital)

In a large upper room we found the space empty, but for two curving bookcases, filled with books but many with blank spines or covers. On closer inspection, we found that these were notebooks and that we were in a participatory art installation, called Book Space, by Elin Hansdottir. This project comprised 2,000 blank notebooks inserted into library collections in which visitors are invited not to read but to write, draw or contribute in any way they choose. Being unable to resist a blank notebook, I began one and proceeded to write a page with each of three fountain pens that I was carrying, identifying the pen and ink in each case. I hope that others may find it and add their own entries!

My contribution to the Book Space exhibition.

Our guide that morning had mentioned that rhubarb is grown in the area and told us of a local treat called “Happy Marriage Cake”, comprising a biscuit base, a layer of rhubarb jam and then baked with a crumble topping. Naturally I felt it could do no harm to taste some, when a cake shop presented itself!

“Happy Marriage Cake.”

In Akureyri we had another coach tour to visit some of the spectacular sights of the landscape, including the colossal Godafoss Waterfall, some lava rock formations and a vast area of geothermal activity with sulphurous steam spouting from the ground and burbling mud pools.

Godafoss Waterfall.

After Iceland, our visit to Stornoway in the Outer Hebrides seemed rather tame, but was in fact the only port on our trip in which the captain had struggled to enter safely, due to high winds. It took three attempts before the ship could be berthed, but we still had ample time to see the town and to attend an exhibition of Harris Tweed, which is made only on these islands.

Stornoway.

Our final shore visit of the cruise was in Greenock, on the Clyde and from which it is just a short train ride into Glasgow. We spent some time acclimatising ourselves back to the UK mainland. Glasgow in the sunshine was a lively and vibrant city. It was a graduation day for the University of Strathclyde and so we saw several new graduates in their gowns with their families. It seemed as if there was music from buskers around every street corner which leant a nice mood to our strolls.

Glasgow graduates.

In the familiar territory of a John Lewis department store, I made my last attempt to find a fountain pen display counter, but alas, there was none. However, I did spot some bottles of Waterman ink generously discounted from about £11.00 down to £3.45 and so availed myself of this opportunity to support the economy.

I had almost failed in buying a fountain pen at all on this trip, but this failure was avoided by finding a newsagents in Stornoway with a Platignum Tixx, for a couple of pounds and thought it worth a try. I did not realise until afterwards, that it it a disposable one.

In conclusion, we had a very happy trip. The time at sea was filled with food and entertainment (theatre shows, interesting talks, and live music of all types) and meeting new friends. As for the journaling, I had made the mistake of starting the trip with the TWSBI eco-T, and then using it every day as my main journaling pen for the rest of the trip, as I enjoyed it so much. Still it was nice to have the others for variety. And yes, I did still return home with more ink than I had started with.

Ready for a book-signing, but with no book.

London Spring Pen Show 2025: my haul.

Well, this is embarrassing. I had pencilled in a post for this week, intending to call it a pen show recap, as “my haul” would not work on a “no-buy”. But as it turns out, the “no-buy” promptly went out of the window as soon I got through the gates. Another generous interpretation from one of my pen club friends, is that purchases during a pen show do not count in a no-buy.

Anyhow, I had a brilliant day at the show as always, running into many friends. As most of our pen club (The London Fountaineers) had arranged to meet up nearby at Latymers for a pub lunch during the show, I decided to go for the 9.00am early bird admission, to compensate for the lunchtime erosion of shopping time. This worked out perfectly and it was lovely to sit down and catch up with friends over a delicious Thai meal and share what each of us had found.

Pen club lunch at Latymers.

Over the course of the day, I acquired nine pens. I know that this sounds like a lot but none of them was terribly expensive and many folk spent more than my total on a single pen.

The only pen that I had specifically hunted for, was a Parker Duofold Senior, in blue. I found that the typical prices of these old Duofolds rise as you progress through the seven different sizes. The “Senior” (with a #35 nib), is the second largest of these and I paid £80.00 for a very nice example. The largest one was called the Maxima (#50 nib).

Parker Duofold Senior (#35 nib)

One of my earliest finds was a “Ty-phoo Tea” pen, a lovely old (1930’s?) lever filler, in black etched with a wave pattern, flat ended and clipless and a small, 14k gold nib. This would have been acquired as an offer in return for coupons from packets of tea. It is said to be “British Made” although the maker is not specified. I have since read on FPN that there were several such models made for Ty-phoo Tea over the years, likely to have been supplied by Swan, Wyvern or Conway Stewart. With a sudden brainwave, I have paired it with Jacques Herbin Lie de Thé.

Typhoo-Tea pen with aptly chosen ink

I picked up a TWSBI “Eco T” in Saffron with a lovely EF nib. Admittedly, I thought that I was buying a standard Eco, but later discovered it to be an Eco T, which has three, softly rounded facets on the grip section and a triangular cap and piston knob – a model that I had not been aware of, but still a pleasing buy with summery vibes.

A TWSBI ECO T, Saffron with EF nib.

I had a successful run of buying three vintage Parkers, all in glossy black with gold trim, each from different vendors. First, a Duofold button filler (1940’s?), the first button filler I have owned, from Heritage Collectables. Next a Duofold Junior, with a Fine nib which, amazingly, was in near mint condition with original chalk marks and an aero filler which appeared never to have been inked. This was from Justin Janse van Vuuren. Finally, a gorgeously cute irresistible Parker 17 Lady (Fine), which posts beautifully to become a really delightful pocket pen, sold by Carneil Pens. I have been using this for sketching, with Parker Quink Black.

Three vintage Parkers.

I also bought my first Parker 25! I had never much liked the oddly industrial brushed steel tapered barrel and so had refrained from buying one when they were part of Parker’s range. But having learned that they were designed by Sir Kenneth Grange, also responsible for designing the Inter-City 125 train, I felt it was high time I tried one. There were several to chose from at the show and so I could examine their nibs with a loupe. In the hand, the pen is more comfortable than it looks and the cap posts beautifully, flush with the barrel, whereupon the tapering barrel makes sense.

Parker 25.

Otherwise, my pen-buying flurry included a Pelikan Jazz and a Sailor High Ace neo, each offered at just £5.00 from Cult Pens. I also stocked up on ink, finding bottles of new old stock Waterman Florida Blue and Waterman Blue Black, plus a luxurious box of 6 Pilot Iroshizuko kon-peki cartridges and a couple of boxes of the Kaweco Royal Blue cartridges.

Another suitcase, another haul.

The day was punctuated by lots of lovely conversations with friendly dealers including Jeremy Collingbridge, John Hall, Kirit Dal, Ray Walters, John Foye, Sarj Minas, Kasia Stier, Justin Janse van Vuuren, my good friend Jon of Pensharing and many others. On the train home, I also tried to list all the friends I had seen and this came to more than 20.

Kasia Stier of PenSpa.

For anyone serious about being on a no-buy, the London Pen Show is not the place to go. As a recent retiree, I discovered that I am still at heart, a child who wants a new toy a little too often. But I am thrilled with my acquisitions which I am sure will punch well above their weight in providing joy for years to come. Thanks, as always, to all the organisers, dealers and the fountain pen community. See you all next time!

The author (left) with some pen friends.